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	<title>The Montreal Pinoy Post &#187; Veraida-Lyn Bermejo</title>
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		<title>Philippine Culture Exposed Nationwide on Canada&#8217;s got Talent</title>
		<link>http://www.montrealpinoypost.com/2012/03/28/philippine-culture-exposed-nationwide-on-canadas-got-talent/</link>
		<comments>http://www.montrealpinoypost.com/2012/03/28/philippine-culture-exposed-nationwide-on-canadas-got-talent/#comments</comments>
		<pubDate>Wed, 28 Mar 2012 11:55:54 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Infotainment]]></category>
		<category><![CDATA[March 2012]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=1125</guid>
		<description><![CDATA[               I hope everyone has been following Canada’s Got Talent and were able to catch a group of young dancers that you felt connected to; not by their talent but by their culture. On episode four of Canada’s Got Talent, a Philippine folk dance group from Winnipeg called the Kayumanggi Philippine Performing Arts of The [...]]]></description>
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<p>               I hope everyone has been following Canada’s Got Talent and were able to catch a group of young dancers that you felt connected to; not by their talent but by their culture. On episode four of Canada’s Got Talent, a Philippine folk dance group from Winnipeg called the Kayumanggi Philippine Performing Arts of The Philippine Association of Manitoba performed Singkil, one of the Philippines’ most recognized traditional dances next to the Tinikling.<br />               Before Kayumanggi was set to perform, actor and judge for CGT was already impressed by the group’s elaborate costumes. Their set only lasted no longer than 90 seconds but the captivating performance caught the eye of all three judges. Supporters of Kayumanggi, Filipino or non-Filipino, in the audience jumped off their seats and roared with excitement as they advanced to the next round of auditions.<br />               I met Kayumanggi in 2005 during a SEVEC exchange and have kept in touch with some of the members ever since. We enjoyed each other’s company very much that less than a year later they came to Montreal to visit for a week to enjoy our city.<br />               Kayumanggi was formed in the late 60s. Sheila Bughao has been performing with Kayumanggi for eight years and the director for the last four years, replacing Victor Nombrado, the group’s choreographer for eight years. They boast a membership of 60 with performers between the age of 3 and 25 years old. Every year, Kayumanggi performs at the “Nayong Pilipino Pavilion” at Folklorama sponsored by the Philippine Association of Manitoba. Folklorama, a CIOFF festival, is a yearly 2-week multicultural celebration in Winnipeg that involves 40 different pavilions representing countries across the world.<br />              During the group’s lifetime, Kayumanggi has travelled to Minneapolis, Chicago, New Mexico, Nova Scotia, Montreal and Europe. Sheila wishes for the group to continue and experience travelling to share and promote Philippine culture.<br />              After Kayumanggi’s appearance on CGT, I contacted Sheila to get her feedback on their experience of the auditions:<br />VLB: What made you decide to perform Singkil?<br />SB: I felt that it was strongest routine and we got a lot of good feedback from our community with that dance.<br />VLB: How did you prepare for the preliminary auditions?<br />SB: We actually didn&#8217;t plan to audition for CGT but I thought that it would be great experience for the kids. So at the end I decided for us to go for it <br />        anyways. I only decided that we we&#8217;re going to audition the night before the last audition day. The kids and the parents were so excited. <br />        Everyone was so focus.<br />VLB: How were you notified that you had made it through the auditions? <br />SB: We got an email from CGT stating that we will be part of the taping audition in front of the judges.<br />VLB: How excited was the group when you found out you would be auditioning for the televised show?<br />SB: Everyone was so excited.  Some were scared. Some were anxious. It was all mix emotions.<br />VLB: What was going through your head just before you went on stage to perform?<br />SB: Everyone was nervous even myself. Cameras and other competitors were everywhere and CGT staff interviewed us. I was thinking and hoping <br />        that everyone will do their part and no one will make mistakes; hoping that no one falls or hits each other.<br />VLB: If you don&#8217;t make it to the next round, what do you think you will take away from this experience?<br />SB: I&#8217;m glad that we auditioned because we got a chance to represent our Filipino culture nationwide. It was a good experience for all of us despite <br />       of how far we will get in the competition.  It made us all proud  of  who  we  are and encourage the younger generation everywhere to be proud <br />       of their culture.</p>
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		<item>
		<title>It&#8217;s Funny Because It&#8217;s True</title>
		<link>http://www.montrealpinoypost.com/2012/03/28/its-funny-because-its-true/</link>
		<comments>http://www.montrealpinoypost.com/2012/03/28/its-funny-because-its-true/#comments</comments>
		<pubDate>Wed, 28 Mar 2012 11:55:10 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Infotainment]]></category>
		<category><![CDATA[March 2012]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=1123</guid>
		<description><![CDATA[               The truth hurts. Your best friend just told you your boyfriend is cheating on you. You cry yourself to sleep because you wish it wasn’t true. The emotions are quite painful. It hurts. But when you are listening to a Filipino comedian telling jokes on how to really pronounce Pacquiao, balut on Fear Factor [...]]]></description>
			<content:encoded><![CDATA[
<p>               The truth hurts. Your best friend just told you your boyfriend is cheating on you. You cry yourself to sleep because you wish it wasn’t true. The emotions are quite painful. It hurts. But when you are listening to a Filipino comedian telling jokes on how to really pronounce Pacquiao, balut on Fear Factor and learning English with a Filipino accent, you cannot help but laugh hysterically until your stomach hurts. It’s funny…because it’s true!<br />               Filipino-Canadian Ron Josol from Toronto knew he wanted to be a comedian since he was eight years old, thanks to Eddie Murphy’s potty mouth stand-up comedy act in “Delirious” (1983). As usual, life gets in the way and he forgot about his childhood dream until his 3-year relationship with his girlfriend ended. That’s when he had a self-awakening moment and said to himself “Oh yea, what was I supposed to do again?” Even before the relationship ended, a tarot card reading spilled the beans; he would be on stage, doing something funny. Four months later, he did make it but was booed off-stage. He realized the hard way that comedians actually wrote jokes. It’s not all improvisation.<br />                But you know that saying, “What doesn’t kill you, only makes you stronger.”<br />                So 14 years later, Ron has not missed one week of comedy. In just his first year of doing stand-up, there was no need to do stand-up at comedy clubs, promoters or producers – he was busy making friends with Russell Peters, opening for his shows across Canada and learning the ropes on being a comedian. Then Russell introduced Ron to Canadian stand-up comedian and Yuk Yuk’s comedy club owner Mark Breslin. He liked what he saw, got promoted and Ron began working on the road five months later.<br />                That road took Ron across the globe. He has performed in Central America, Dominican Republic, Beijing, Shanghai, Jamaica, Dubai (three times), across Canada, around the US including Hawaii. Ron has yet to set foot and practice his Filipino-accented jokes in the motherland.<br />                Ron has performed for Filipino audiences scattered around the world, but he explains that they are not all the same. “The Filipino audiences in Canada are also different from the ones in the United States. I don’t even know how to explain it. It is always different wherever you go. San Diego is different from LA, LA is different from San Francisco and those three are different from Toronto. I haven’t played for a Montreal crowd and I think it will go well, but it will probably be like a Toronto Filipino crowd. But your act does change everywhere you go. Do you talk to your parents differently than you talk to your friends? Do you talk to you friends differently than you talk to your boyfriend or husband? When I talk to my parents, it is so subtle and so closed. That’s because Filipino culture is a very passive and quiet culture until they hit the stage for some reason. But off the stage, they are very respectful and I think we get that from the Asian side of us and our Spanish side is very passionate, performance-oriented and sexual.<br />                If we have 5 original races – black, white, Spanish, Asian and Indian. We are the newest race on the block which is a combination of Spanish and Asian. But the Spanish left us so we are the only race that was born out of wedlock.”<br />               Unlike Ron, Paul Baluyot’s path to comedy stand-up was taken in a different direction. Instead of Eddie Murphy as a role model, surprisingly, public speaking was where it all started. A relatively quiet kid, Paul won a couple of public speaking awards and at 13 years old was placed second. His speech was about “Why Men have Nipples” and the first place winner’s topic was about lying. Hosting a couple of CEGEP and university shows later, Paul found himself on stage at an open-mic.  Soon after, he opened for Rex Navaratte’s  first-ever Montreal show.<br />              Once you’ve opened for Rex, life can be considered complete. Then Paul focused on school. But that was only the beginning. A demand for more stand-up from Paul began to stir. The Philippine Women Centre needed a comedian for a fundraiser show and sought out Paul to do 11 minutes on stage. He did and for the last 4 years, Paul has been doing stand-up 4-5 days week.<br />              Paul vacationed in the Philippines and did a total of two weeks of stand-up. Hewas spotted during an open-mic by an audience member who ran the Comedy Cartel, a stand-up comedy group in the Philippines. Paul did stand-up for a few more nights, fully paid. Food included, of course.<br />             This opportunity in the Philippines inspired Paul to organize and host “The Froud Filipino Show” in last year at the Oscar Peterson Concert Hall, with Filipino comedians Keith Pedro and Dan Ramos and headlined by Ron Josol himself. “Going to the Philippines was my inspiration for wanting to put something together for Filipinos. It took going there to realize how Filipino I actually was. ‘Wow, I identify with these people.’ Whereas before, I was having problems identifying with them because I was so used to trying to be Canadian my whole life – stop eating with my hands and be polite.”<br />             Paul’s comedic prowess is inspired mostly by life. “The funniest things to me are stupid. I find stupidity extremely funny, especially, my own stupidity.  And that is something that is very human. People are afraid of those things and the funniest things in life are the truth, even things that are painful. You find those in everyday life all the time.”<br />            Next on the menu for Ron: “I am waiting for a couple of tours. One of them is going to be in Malaysia another one is going to be in Haiti. I’ve hooked up with a US manager who Sugar Sammy works with; go to the States a little bit more. But I am also pressing to showcase in late night shows get into bigger circuits of comedy clubs, colleges and also corporate shows and get my name out more in television and start acting a bit more. I’ll just keep doing that; keep building my name not just for  Filipino audiences but to everybody.”<br />            Paul is currently working with a group called Flipsidecomedy.com, a collective of Montreal comedians putting out videos on YouTube and monthly shows in Montreal. As part of their website launch, the collective performed stand-up comedy on various corners of the downtown area during the morning rush hour last October; a funny way (literally) to start your day after the long Thanksgiving weekend.<br />           “I’m excited. I’m excited for the future.” &#8211; Paul</p>
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		<item>
		<title>For a Better Tomorrow</title>
		<link>http://www.montrealpinoypost.com/2011/12/28/for-a-better-tomorrow/</link>
		<comments>http://www.montrealpinoypost.com/2011/12/28/for-a-better-tomorrow/#comments</comments>
		<pubDate>Thu, 29 Dec 2011 03:00:12 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[December 2011]]></category>
		<category><![CDATA[Editions]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=1082</guid>
		<description><![CDATA[            Resources to serve the Filipino youth are plenty within our community and it is great to know that these resources continue to grow.            Rev. Orlan T. Racacho, full-time ordained minister, and his wife Lucy Bermejo Racacho of the Fellowship Bible Baptist Church have relocated their congregation to 3737 Van Horne Avenue, on the corner [...]]]></description>
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<p>            Resources to serve the Filipino youth are plenty within our community and it is great to know that these resources continue to grow.<br />            Rev. Orlan T. Racacho, full-time ordained minister, and his wife Lucy Bermejo Racacho of the Fellowship Bible Baptist Church have relocated their congregation to 3737 Van Horne Avenue, on the corner Côte-des-Neiges. The two-storey building was the former “Pomeratz House”, a Hebrew school for youth. The building was purchased by some members of the church to better serve for its ministries as well as another space in the building designated to the new Friendship &amp; Fellowship Centre. The centre will be open to serve the Filipino youth to<br />develop self-worth and character building, focussing on the theme of “Impacting Young Lives for a Better Tomorrow.” The centre will be open every Saturday afternoon with the help of youth coordinator Medianera “Medy” Maningding, a retired military officer.<br />            Pastor Orlan is a psychology graduate, entrepreneur, mental health worker and former director of therapy at the Douglas Hospital. He is also the past president of Filipino Association of Montreal &amp; Suburbs (FAMAS) and past national chairman, United Council of Filipino Associations in Canada (UCFAC). Pastor Orlan was also the recipient of the “Silver Medal Award” in Ottawa for the 25<sup>th </sup>anniversary of Her Majesty the Queen to the throne in 1977. Mrs. Racacho is a retired registered nurse since 1997 and together their passion for the ministry<br />and youth has taken them on this path to provide a safe and encouraging place within the community. Their frequent activities include but not limited to regular Saturday Bible studies and Sunday school for all ages.<br />           The services provided by the Friendship &amp; Fellowship Centre will focus on:<br />1. To promote mental health among the Filipino Youth in our community;<br />2. To provide guidance and counselling for career opportunities;<br />3. To promote genuine camaraderie among Filipino youth especially among the new arrivals;<br />4. To help the new immigrants integrate into the mainstream of Canadian society;<br />5. To provide a fellowship that will help the Filipino youth develop a wholesome attitude towards their peers, parents and authorities, and <br />     ultimately lead them into a spiritual understanding of divine truth, love and fear of God.<br />           The goal of the centre is to encourage Filipino youth to focus on their academics with a mind on career options; inform and educate them on the consequences of delinquent choices that could affect mental health; and to challenge them to concentrate on positive energy towards constructive and wholesome activities.<br />           The centre will reach out to young newly arrived Filipinos to guide and assist their integration into the community and Canadian society. This is not the first time that Pastor Orlan and Mrs. Racacho have created a youth programme; in the late 1990s, in conjunction with CLSC and Lavoie Elementary School a guidance and counselling program.<br />           The centre will conduct activities such as educational games, social interaction and inspirational dialogue to apply to everyday life and important decision making.<br />           The official inauguration of the church and centre took place on Sunday, November 13, 2011. Mr. Michael Applebaum, borough mayor of CDN-NDG, attended the opening ceremony and assisted to cut the red ribbon. <br />           The first consultative meeting took place on November 26. The topic of the meeting was to discuss how other organizations and associations in the Filipino community can work in the “spirit of baynanihan.” Representatives of other organizations were in attendance: Sophie Toledo, Filipino Nurses Association of Quebec; Al Abdon, FAMAS; and myself, representing both PAMANA ng LuzViMinda and Montreal Pinoy Post. Since the inauguration, progress has already taken place. Amy Anam Manon-og, retired registered nurse, has accepted to be the over-all volunteer coordinator; and Lavoie Secondary School, which has a high volume of young Filipinos, will cooperate with the centre and implement the objectives of the program. The official opening of the centre’s program will be on January 7, 2012.<br />           For more information about the church and centre, please contact Pastor Orlan at 450-466-8711.</p>
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		<title>First Miss Teen FAMAS 2011</title>
		<link>http://www.montrealpinoypost.com/2011/04/28/first-miss-teen-famas-2011/</link>
		<comments>http://www.montrealpinoypost.com/2011/04/28/first-miss-teen-famas-2011/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 12:45:44 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[April 2011]]></category>
		<category><![CDATA[Arts & Culture]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=970</guid>
		<description><![CDATA[             Five young ladies took to the stage at Vanier College’s auditorium to show the Filipino community what they are made of. Organized by FAMAS, March 26, 2011, marked the first Miss Teen FAMAS pageant.  The candidates – Christine Sy, 14; Junora Gapuz, 14; Klaudeen Carbon, 15; Maegan Cowling, 13; and Romina Gabrielle Avelino, 17 [...]]]></description>
			<content:encoded><![CDATA[<p>             Five young ladies took to the stage at Vanier College’s auditorium to show the Filipino community what they are made of. Organized by FAMAS, March 26, 2011, marked the first Miss Teen FAMAS pageant.  The candidates – Christine Sy, 14; Junora Gapuz, 14; Klaudeen Carbon, 15; Maegan Cowling, 13; and Romina Gabrielle Avelino, 17 – worked tirelessly for fours week to prepare for the pageant. Not a lot of time, but both the candidates and the organizing committee dedicated much of their effort to pull off a successful evening. The auditorium was filled with the candidates’ supporters and specials guests – Michael Applebaum, borough mayor of CDN-NDG; Marvin Rotrand, City Councillor for Snowdon; and Irwin Cotler, MP for Mount-Royal.<br />
             The pageant was hosted by Marie Handinero and assisted by all the candidates from the 2010 Philippine Miss Ambassador of Goodwill pageant – Joline Nelson, Monica Pacia Tapia, Lorie Ann Feliciano, Meredith Sarmiento and 2010 Philippine Miss Ambassador of Goodwill title holder Andrea Neufeld. The PMAG candidates played an important role throughout the preparations and rehearsals for the pageant. They were constantly encouraged, inspired, mentored the girls to help ease their nerves and boost their confidence. As for the Miss Teen candidates themselves, they did not waste any time building a friendship and bond in such a short period of time with each other and the PMAG candidates. They kept their energies up and enjoyed every moment they had with each other.<br />
            The candidates were judged on an essay written about themselves prior to the pageant, talent, evening wear and question and answer period. The judges invited to the pageant were Sherling de la Paz, Artistic Director of PAMANA ng LuzViMinda; Rejean Laprise, Associate Director, Office of Professional Development, Fédération des médecins spécialistes du Québec; Alia Ceniza Rasul, grand-daughter of former Philippine Senator Santanina Rasul and ambassador of Buhay Kubo (<a href="http://www.buhaykubo.com/">www.buhaykubo.com</a>); and Celeste Nelson, Miss Philippine Independence 1999, FCAWI.<br />
            The pageant also invited special performances by Montreal-based POP/R&amp;B group ILL_Teague, hip-hop dance group Pink Frog and an acoustic performance by Klarisse Carbon.<br />
             The crowd was loud and supportive for their favourite candidates but there could only be one winner. First runner-up went to Romina Avelino. And the first official title of Miss Teen FAMAS 2011 went to Klaudeen Carbon.<br />
             Montreal Pinoy Post congratulates Miss Carbon and her family. Congratulation also goes out to FAMAS, Executive Producer Elizabeth Darauay, organizing committee and production crew for a professionally executed and entertaining evening.</p>

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		<item>
		<title>dear ate v.</title>
		<link>http://www.montrealpinoypost.com/2011/04/28/dear-ate-v-9/</link>
		<comments>http://www.montrealpinoypost.com/2011/04/28/dear-ate-v-9/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 12:45:31 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[April 2011]]></category>
		<category><![CDATA[Dear Ate V.]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=991</guid>
		<description><![CDATA[How can I keep myself motivated about school?             For high school students, it may be really difficult to study subjects that you have no interest in or even plan to use in the future. But what you must realize, this will probably be the best time of your life, because it only gets harder [...]]]></description>
			<content:encoded><![CDATA[<p><strong>How can I keep myself motivated about school?<br />
            </strong>For high school students, it may be really difficult to study subjects that you have no interest in or even plan to use in the future. But what you must realize, this will probably be the best time of your life, because it only gets harder as you get older. So make the most of it, especially when it comes to your education. The mixture of different subjects can help you decide what you want to do in the future as well as understand the day to day realities of everything that happens around you. You might see that you excel in one subject and realize that this may be something that you want to pursue in CEGEP and university.  Think about the things that you learned in high school that you probably would not have known without it.</p>

<p><br />
              A great way to be motivated is to challenge yourself. Start with little goals like reading one more chapter than the one assigned; start your homework immediately once you get home from school so that you have the rest of the evening to relax; study with friends and avoid writing papers until the night before the due date.<br />
             And finally, share your achievements with you parents. When you get a high grade on a paper or assignment, share the great news with your parents. By letting them know how well you are doing in school can only motivate you even more. All the hard work that you are putting into school right now will ultimately pay off for you and your future.</p>]]></content:encoded>
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		<title>The Magic of Philippine Folk Dance</title>
		<link>http://www.montrealpinoypost.com/2011/04/28/the-magic-of-philippine-folk-dance/</link>
		<comments>http://www.montrealpinoypost.com/2011/04/28/the-magic-of-philippine-folk-dance/#comments</comments>
		<pubDate>Thu, 28 Apr 2011 12:45:15 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[April 2011]]></category>
		<category><![CDATA[Arts & Culture]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=964</guid>
		<description><![CDATA[            Philippine folk dance has a very unique standing within the dance realm.  It is said that the Philippines is unique in that no other country is able to cultivate five completely different dance styles, each based in its own geographical and religious landscape.  In broad terms, the five &#8220;styles&#8221; are: dances from the animistic [...]]]></description>
			<content:encoded><![CDATA[<p>            Philippine folk dance has a very unique standing within the dance realm.  It is said that the Philippines is unique in that no other country is able to cultivate five completely different dance styles, each based in its own geographical and religious landscape.  In broad terms, the five &#8220;styles&#8221; are: dances from the animistic northern mountainous Cordillera (or Northern Tribal), Spanish-influenced dances from the urban centres (or Maria Clara), Christianized dances of the rural lowlands, Indigenous (or Southern Tribal) dances from the Southern lakes and forests, and dances from the Muslim south. These dance styles exist independently from one another, sharing virtually no similarities in form, technique, costuming, and character. Differences in religion, colonial experience, geographical location, and topographical features have all given rise to a multitude of cultural differences that manifest in dance forms.  The movements of each dance either tell a story or mimic the actions of animals in nature.<br />
            Philippine folk dance is such an important part of Philippine culture that basic dances such as Pandanggo sa Ilaw and Tinikling are part of the school curriculum in many elementary and high schools.  Most importantly, knowledge of Philippine folk dances has travelled across the oceans with migrants from the Philippines. This has allowed the new generation of foreign-born Filipino youths to get in touch with an otherwise distant culture from some ancient past. Filipino folk dance helps keep the Filipino culture relevant to the lives of young people, especially since dance is an ever-evolving art form that allows for creativity &amp; self-expression. To understand the differences between each style, here are a few dances and their influences.<br />
             <span style="text-decoration: underline;">Ragragsakan</span> (Cordillera) – From the Kalinga tribe, the Ragragsakan is based off of a tradition in which the women prepare for a <em>budong</em>, or a peace pact. The women balance baskets over the head as they make their way down the mountain while chanting, keeping their eyes looking down on the ground to not wander off the path through the morning fog. Costumes for Cordillera dances are thick handwoven fabrics to keep them from the cold and using colours of the earth like red, yellow, green and black.<br />
            <span style="text-decoration: underline;">Tinikling</span> (Rural) &#8211; Originally from the province of Leyte, is considered by many to be the most recognizable folk dance of the Philippines.  Based off the movements of the long-legged tikling bird avoiding bamboo traps in rice fields, dancers dance through bamboo poles that open and close to an accelerating rhythm.  Rural dances are always joyous and exemplify a love of life and work, and this is communicated through the bright colours of the costumes and the vibrant character of the dancers. Many rural dances also display certain skills like balancing glasses (Pandanggo sa Ilaw &amp; Binasuan) or jumping on benches (Sayaw sa Bangko).<br />
            <span style="text-decoration: underline;">Habanera Botoleña </span> (Maria Clara)  – Originating from the town of Botolan in the province of Zambales, this habanera is specifically a wedding dance.  The bride and groom and their wedding party are all featured in this festive dance of celebration. Named in honour of the heroine in Dr. Jose Rizal’s novel, <em>Noli Me Tangere</em>, the Maria Claria Suite brings to life the elegance and charm of the <em>mestiza </em>Filipina as well as the gallantry and boldness of the <em>mestizo </em>Filipino from a bygone era. Familiar western dances with an added native flare exhibits the courtship, love and flirtation characteristic of this romantic suite.<br />
             <span style="text-decoration: underline;">Dugso</span>  (Southern Tribal) – The Dugso (which literally means dance) is performed as a ceremonial dance of celebration by the Manobo people in the province of Bukidnon in the Northern part of Mindanao.  Meant to entertain their gods, the Dugso features female dancers lead in their complex footwork by the <em>babaylan</em> (shaman).  It is believed that the smoke from the fire in the ceremonial pot will bring their prayers and thanksgiving to the gods. The Indigenous tribes are known for their skill in weaving and jewelry making, these groups are among those considered as the best dressed tribes in the Philippines; fabrics are handwoven from softened tree bark.<br />
             <span style="text-decoration: underline;">Singkil</span> – Traditionally a depiction of the Maguindanao and Maranao interpretation of the ancient Indian epic called the <em>Darangen</em>.  Once appropriated by the Maguindanao and Maranao in the fourteenth century, the <em>Darangen</em> became the <em>Darangan</em>, and it centred around graceful Princess Gandingan and the brave Prince Bantugan.  While walking through the forest with her loyal umbrella-bearing lady-in-waiting, the Princess Gandingan is suddenly caught in the middle of an earthquake unleashed by the forest <em>diwata</em>, or forest spirits.  The Princess must gracefully and skilfully manoeuvre through the closing bamboo poles, which represent falling trees.  Fans, or <em>apir</em>, are waved by dancers to represent auspicious winds.  The valiant Prince Bantugan enters the scene and rescues the Princess. Dances from the Muslim south captures subtle differences by displaying majestic characters, fluid movements, angular stances, and rich and delicate costumes.</p>

<p><br class="spacer_" /></p>]]></content:encoded>
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		<title>We Have A Job To Do</title>
		<link>http://www.montrealpinoypost.com/2010/12/28/we-have-a-job-to-do/</link>
		<comments>http://www.montrealpinoypost.com/2010/12/28/we-have-a-job-to-do/#comments</comments>
		<pubDate>Tue, 28 Dec 2010 15:00:38 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[December 2010]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=946</guid>
		<description><![CDATA[            For many first generation Canadian born Filipinos, the Philippines has become a country only known as the land of our parents, relatives and ancestors. But what else do we really know about it?             “People Power” presented by Teesri Duniya Theatre, in October, put on an emotionally commanding show that took the audience into [...]]]></description>
			<content:encoded><![CDATA[
<p>            For many first generation Canadian born Filipinos, the Philippines has become a country only known as the land of our parents, relatives and ancestors. But what else do we really know about it?</p>
<p>            “People Power” presented by Teesri Duniya Theatre, in October, put on an emotionally commanding show that took the audience into a time warp back to the Aquino-Marcos elections in 1986. The event was more of a backdrop for the characters that represented the very people that put there lives on the line for such an important cause, not just for themselves, but for the entire country.</p>
<p>             People Power is an important part of the history of the Philippines and how the events have shaped and united a country.  It is important to remind those that have lived through the event as well as awaken those who did not experience at all. The play took place in a very small venue, with the characters interacting with the audience that you could believe you were witnessing People Power happening right in front of you. And the emotions felt were inescapable, especially the heart wrenching tears that had to be expressed for the characters.</p>
<p>             The discussion panel following the play brought up important key words: education, responsibility and communication &#8211; the play was a history lesson about our country’s past; our responsibility to harness this important event and communicate it to the rest of our community.</p>
<p>              I encourage our young generation of today and tomorrow to discover what it means to be Filipino. The young generation must be educated and be proud to share it with others. Communicate the beauty, the struggle, the diversity of the Philippines. Continue the tradition before it dissipates. There are already Canadian born Filipinos that have shown signs of disconnection from our culture. We must take responsibility.</p>
<p>            We need advocates like the Carlos Bulosan Theatre and its entire team of “People Power” to tell stories of our country. They are not just learning about it for themselves but want to share it with others. We must support these efforts and give them an audience. Empower our Filipino youth. Plays like “People Power” do not come through Montreal very often, and when they do, we must all unite as a community to show support.</p>
<p>&nbsp;</p>
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		<title>Dear Ate V.</title>
		<link>http://www.montrealpinoypost.com/2010/12/28/dear-ate-v-8/</link>
		<comments>http://www.montrealpinoypost.com/2010/12/28/dear-ate-v-8/#comments</comments>
		<pubDate>Tue, 28 Dec 2010 15:00:34 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Dear Ate V.]]></category>
		<category><![CDATA[December 2010]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=923</guid>
		<description><![CDATA[My boyfriend is spending too much time playing videogames. How do I get him to stop?           These days, threatening to break up with your boyfriend is simply not enough to change this type of hobby. Since he is busy doing what he loves, maybe this is your opportunity to do things that you haven’t [...]]]></description>
			<content:encoded><![CDATA[<p><strong>My boyfriend is spending too much time playing videogames. How do I get him to stop?<br />
          </strong>These days, threatening to break up with your boyfriend is simply not enough to change this type of hobby. Since he is busy doing what he loves, maybe this is your opportunity to do things that you haven’t done in while. Call up your girlfriends that you haven’t seen in awhile and have a girls’ night out. Or pick up that book that you’ve been meaning to read. Or shop ‘til you drop since you don’t have you boyfriend to drag along. Basically, this is your chance to become detached from your boyfriend and be free to do what you like. Boys will be boys. So take the this time to do what girls do. That time apart may be well worth it to make up for the time when you are together even more meaningful.</p>]]></content:encoded>
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		<title>PAMANA’s European Tour: Memories to last a lifetime</title>
		<link>http://www.montrealpinoypost.com/2010/09/28/pamana%e2%80%99s-european-tour-memories-to-last-a-lifetime/</link>
		<comments>http://www.montrealpinoypost.com/2010/09/28/pamana%e2%80%99s-european-tour-memories-to-last-a-lifetime/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 15:00:51 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[September 2010]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=904</guid>
		<description><![CDATA[            On June 23, uniformed members of PAMANA ng LuzViMinda filled the airport with carts stacked with luggages bearing our group’s name on pink ID tags. Dancers excitedly chatted with each other and parents giving their children last minute instructions. Bystanders curiously looked over at our direction wondering who we were and why were we [...]]]></description>
			<content:encoded><![CDATA[
<p>            On June 23, uniformed members of PAMANA ng LuzViMinda filled the airport with carts stacked with luggages bearing our group’s name on pink ID tags. Dancers excitedly chatted with each other and parents giving their children last minute instructions. Bystanders curiously looked over at our direction wondering who we were and why were we transporting large bamboos saranwrapped in plastic. As the carts slowly made their way to the check-in area and then to the security checkpoint, parents shed tears as they waved good-bye to each other. For many, it was the first time being away from home for so long with the comfort of their parents.</p>
<p>            PAMANA had already travelled as a group to the Philippines in 2008, but this was the first time we would be participating at international festivals, sharing the stage with much older and much more experienced groups from around the world. Although we had prepared for moment many months in advance, the leaders’ were quietly having anxiety attacks, because PAMANA’s reputation and future credibility was hanging in the balance. We had three weeks to travel between three countries and perform in numerous venues from audiences as small as a couple of hundred to as large as 6000.</p>
<p>            Right after our 8-hour direct flight from Montreal to Vienna, Austria, we were greeted by our first tour guide Renata and immediately bussed to our first destination and home for the first four days of the tour: Straznice, Czech Republic. Straznice is a very small town and eerily deserted during the day as we made our first walking tour. In the evening, we had a reception with the mayor of Straznice, President of the festival, and the groups from Easter Island, Mexico and Romania. Then we spent the following three days eating delicious food, meeting the friendly locals and performing for crowds in outdoor amphitheatres where no seat was left unattended.</p>
<p>            Notably, our best performance in Straznice and possibly of the entire tour, was our Muslim suite. While on stage we could sense the audience’s astonishment as they followed the dancers’ feet through the bamboos during Singkil. As soon as the Singkil prince snapped his sword on his shield ending the entire performance, the audience jumped onto their feet and an uproar of applause filled the amphitheatre. Even once the performance was over and we  headed back to our dorms, locals who watched our performance, continued to cheer us on, shake our hands and take a few pictures. We appeared to be celebrities!</p>
<p>            Before we moved on to our next destination of our tour, many of our female dancers became sick. The 6-hour bus ride to Maribor, Slovenia was filled with uncomfortable coughs and noses blowing into tissues. When we arrived in Maribor, we drove by the mall called Europark, which excited the entire group and who could not wait to feed the shopping bug. We also drove by the central stage of the festival which floats on the Drava River.</p>
<p>           We finally arrived at our new home for the next week and we were greeted by our tall, handsome and humourous tour guide George and his partner Urshka. Our schedule for the week was quite hectic: performing in parades, towns outside of Maribor, and three times on the central stage.  We shared the hectic schedule with several over groups from New Zealand, Indonesia, Bosnia and Herzegovina, Macedonia and Hungary.</p>
<p>            In Maribor, every night was a party at our dorm. Each group was assigned an evening for animation and to teach everyone a cultural dance or game from their country of origin. PAMANA taught Tinikling and played “Hep Hep Hooray” which caused a laughing riot with the players and members of the crowd. And after the animation, a mini club was set-up with its own DJ and played music for all the night crawlers, sometimes until five in the morning.  This was a great way for the all the groups to make new friends. We bonded very well with the New Zealand group, simply because they spoke English.</p>
<p>             As the week move forward, the coughs and leaky noses continued to spread throughout the group, this time affecting the chaperones. Our dancers were slowly dropping like flies and unable to perform because of injuries, exhaustion or dancers were too sick to perform. But we made it through the week and successfully performed.</p>
<p>              Leaving Maribor was difficult for many members of the group, including some of the chaperones. It was difficult to separate ourselves, especially from our tour guides who have made our stay very enjoyable. George even had to fight back his tears as we gave him a group hug and waved good-bye from the bus as it pulled away.</p>
<p>             Karlovac, Croatia was a smaller town than Maribor but bigger than Straznice. Most of us had fallen asleep on the bus and woke up in Karlovac to find the festival’s poster plastered all over the city with a picture of a PAMANA dancer. We were welcomed by Kresimir, our bald but muscular tour guide.  He showed to our new rooms of on the third floor, with no elevators. We had to carry more than 60 luggages up three flights of stairs.  Once we settled in, we were off to rehearsals for the opening ceremony.</p>
<p>              At the opening ceremony, the atmosphere and audience cheers felt like the Olympics.  Once our group’s name was called, the audience joyously applauded and waved at us. We waved back with our Canada and Philippines flag. Along for the ride were groups from Russia, Italy, France and our same friends from New Zealand.</p>
<p>              Our schedule for this festival was too good to be true in comparison to Maribor – we had two free days and all the performances or parades took place in the evening. With so much free time, Karlovac was left for us to discover. A few of us even made some great friends to whom we are still in touch with today.  We were also lucky to visit and tour Zagreb, Croatia’s capital, for a few hours. Our free afternoons allowed us to visit restaurants and bakeries and get a good taste of local foods like pizza, gelatos and crepes.</p>
<p>             After an easy seven days, our days in Karlovac were already over and our European tour as representatives of Canada and the Philippines had come to an end. But before it was time for us to jump on the Montreal bound flight. We still had an extra three days to be tourists.  So before it was back to our daily lives, we spent the next two days in Budapest, Hungary and one day in Vienna.  Then time flew by so fast. It was already July 15 and it was time for us head back home. By the end of the trip, everyone in the group had fallen sick and carried the cough onto the plane.  Everyone pretty much coughed their way back to Canada.</p>
<p>              It was great to be return home and see our PAMANA family that we had left behind, but many of us were on such a high from the entire trip that we could not help but want to jump back on the plane. We couldn’t believe that we had actually finished PAMANA’s first tour and already thinking ahead for the next one in 2012. Our young dancers has now became more united because of a common accomplishment to be proud of. Now that we have returned from Europe, our members have turned over a new leaf, gaining confidence, initiative, motivation and pride for PAMANA and for all that it stands for.</p>
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		<title>Dear Ate V.</title>
		<link>http://www.montrealpinoypost.com/2010/09/28/dear-ate-v-7/</link>
		<comments>http://www.montrealpinoypost.com/2010/09/28/dear-ate-v-7/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 15:00:50 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Dear Ate V.]]></category>
		<category><![CDATA[September 2010]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=890</guid>
		<description><![CDATA[           Lately, my girlfriend has been upset with me because I have been spending more time at work and less time with her. However, when she is busy, I give her the space she needs without complaining. How do I tell her that she’s being unfair?            There will always be a time when important [...]]]></description>
			<content:encoded><![CDATA[<p><strong>           Lately, my girlfriend has been upset with me because I have been spending more time at work and less time with her. However, when she is busy, I give her the space she needs without complaining. How do I tell her that she’s being unfair?<br />
           </strong>There will always be a time when important factors like school and work affect time spent in a relationship. Some couples go weeks at a time not seeing each other because their schedules are just too hectic. She needs to acknowledge and understand that you need time as well to focus on important things that maintain your way of life. It is not fair that you give her the space that she needs for school and work without you complaining. Relationships are about compromise and understanding. There are other factors in life (work, school, family and friends) that can affect time spent with each other. Your life does not only revolve around her. Let her know exactly how you are feeling. If she continues to be upset, then you may want to ask her what she is looking for in this relationship and where do you see it going if she cannot compromise or understand that you need as much space as she does.</p>]]></content:encoded>
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		<title>Do you believe in soulmates?</title>
		<link>http://www.montrealpinoypost.com/2010/05/28/do-you-believe-in-soulmates/</link>
		<comments>http://www.montrealpinoypost.com/2010/05/28/do-you-believe-in-soulmates/#comments</comments>
		<pubDate>Fri, 28 May 2010 13:00:31 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Dear Ate V.]]></category>
		<category><![CDATA[May 2010]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=825</guid>
		<description><![CDATA[            Sure, I do. I believe there is a “special” someone from everyone, but what I’ve learned is that that someone does not have to be a boyfriend or girlfriend that you hope to marry one day. Soulmates are about having a partner that completes you – someone to turn to when the times get [...]]]></description>
			<content:encoded><![CDATA[<p>            Sure, I do. I believe there is a “special” someone from everyone, but what I’ve learned is that that someone does not have to be a boyfriend or girlfriend that you hope to marry one day. Soulmates are about having a partner that completes you – someone to turn to when the times get tough, someone to laugh with, share secrets with and most importantly, someone that you love and makes you happy. Your best friend could be your soul mate, your brother or sister and of course, your boyfriend or girlfriend. Soulmates also do not believe that time or distance can affect the relationship. If soulmates separate and re-unite, they come together as if they had just seen each other the day before, when in reality they been separated for months or even years. I think the best way to sum it all is that it all feels natural to both you and your soulmate.</p>]]></content:encoded>
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		<title>PAMANA ng LuzViMinda European Tour</title>
		<link>http://www.montrealpinoypost.com/2010/05/28/pamana-ng-luzviminda-european-tour/</link>
		<comments>http://www.montrealpinoypost.com/2010/05/28/pamana-ng-luzviminda-european-tour/#comments</comments>
		<pubDate>Fri, 28 May 2010 13:00:00 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[May 2010]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=814</guid>
		<description><![CDATA[            PAMANA ng LuzViMinda is scheduled to leave for a European tour from June 23 to July 15 to perform in the Czech Republic, Slovenia and Croatia and represent the city of Montreal, the province of Quebec, Canada and the Filipino community in a cultural festival.  It is a great opportunity for the performers to [...]]]></description>
			<content:encoded><![CDATA[<p><strong>            PAMANA ng LuzViMinda is scheduled to leave for a European tour from June 23 to July 15 to perform in the Czech Republic, Slovenia and Croatia and represent the city of Montreal, the province of Quebec, Canada and the Filipino community in </strong><strong>a cultural festival.  It is a great opportunity for the performers to travel and learn as well as experience away from home cultural exchange and bonding.<br />
            </strong><strong>The group celebrated its fourth anniversary last April 17, 2010 at the Hellenic Community Center, an event well attended and appreciated.  It was a great opportunity to see the outstanding dedication and commitment of the performers. </strong><strong>The parents and volunteers were a constant in the preparation. The needs of the group was attended with care and skill.<br />
            </strong><strong>The leaderships of president Veraida- Lyn Bermejo, John Tuvida, musical director and arranger of the first rondalla and Sherling de la Paz the dance director and choreographer , they generated tremendous creative energies and collaborative synergy.  Behind them were dance assistants Jorge and Jezah Antonio, Anthony-Virgil Bermejo, Eva Maria Laguting Friedrich, Tanya Rubie Santos and Nicole Buenaventura.  They managed the process with patience and led with their objectives as a central motivation in every performance.<br />
            </strong><strong>The founder, Leticia Bulotano Wheeler has opened many doors for the group’s growth and development. She has made it possible for them to learn the Filipino cultural dances and music from the best teachers like Eleanor Mescallado Kalash, former trainer and researcher of Bayanihan Dance Company of the Philippines, who mentored and trained the group. Lettie is instrumental for the group’s European tour, having given them a great opportunity for the members to travel and learn.<br />
            </strong><strong>Indeed it takes a village to move a community and to raise awareness among people. Leaders are conceived and born in such circles. They pave the way for those who seek new ways towards better horizons. PAMANA ng LuzViMinda has taken the higher paths. They are embracing the Filipino culture and they are soaring high to share the beauty of their heritage.  </strong></p>

<p><strong> </strong></p>

<p><strong> </strong></p>

<p><strong> </strong></p>

<p><strong> </strong></p>]]></content:encoded>
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		<title>PAMANA takes flight to Europe and B.C.</title>
		<link>http://www.montrealpinoypost.com/2010/02/28/pamana-takes-flight-to-europe-and-b-c/</link>
		<comments>http://www.montrealpinoypost.com/2010/02/28/pamana-takes-flight-to-europe-and-b-c/#comments</comments>
		<pubDate>Sun, 28 Feb 2010 14:00:47 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[February 2010]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=776</guid>
		<description><![CDATA[           Another chapter for PAMANA ng LuzViMinda is well underway as they prepare for their most important journey.  Since PAMANA’s return from Christmas holiday, PAMANA has been working relentlessly for their first international participation in the 2010 CIOFF (Council of International Organizations for Folklore Festivals and Folk Art) in Czech Republic, Slovenia and Croatia from [...]]]></description>
			<content:encoded><![CDATA[<p>           Another chapter for PAMANA ng LuzViMinda is well underway as they prepare for their most important journey.  Since PAMANA’s return from Christmas holiday, PAMANA has been working relentlessly for their first international participation in the 2010 CIOFF (Council of International Organizations for Folklore Festivals and Folk Art) in Czech Republic, Slovenia and Croatia from June 23 to July 15. PAMANA, probably one of the youngest, will share the stage with other invited dance groups from the four corners of the globe. For most of the performers, it will be the first time travelling to this part of the world and definitely not their last, and for some, a dream come true. PAMANA is sending 35 performers and chaperones to represent the City of Montreal, Province of Quebec and Canada and the multiculturalism that our country embodies by presenting and sharing the Philippine culture.<br />
           PAMANA will face many challenges in their preparations; everything from transportation of oversized props and adapting to various venue specs.  But these challenges will only help PAMANA grow and mature in a foreign setting. The leaders and dancers will take back home with them what they’ve learned and apply it to the company’s development for all future performances in and outside of Montreal.<br />
          To help PAMANA train for Europe, a special guest from Culture Philippines of Ontario will be conducting a 3-day workshop in Montreal over the Easter weekend. Eleanor Mescallado-Kalash, Artistic Director and Choreographer of CPO, was the trainer and researcher for Bayanihan Philippine National Dance Company and assistant to Dance Director Mrs. Lucrecia Reyes-Urtula, Philippine National Artist for Dance. Tita Eleanor will be coming to Montreal with her team of trainers and refine PAMANA’s techniques in both music and dance and give them tips on how to give a flawless performance.<br />
          And only two weeks after their arrival back from Europe, PAMANA will continue the training of their junior dancers as well as their newer members for seven days on the west coast of Canada. They will be participating in their third exchange with SEVEC to meet with PhilCAS of B.C. In mid-August, PhilCAS will travel to Montreal to perform at Fete des Enfants in Parc Jean Drapeau.  It will be the second time PAMANA and PhilCAS come together to exchange dance workshops and most importantly, friendship.<br />
          With PAMANA’s intense practice and performance schedule leading up to their departure, the company still needs to find the time to fundraise. As part of their fundraising efforts, PAMANA will be celebrating their 4<sup>th</sup> anniversary on April 17 at the Hellenic Community Centre. Profits will go towards the group’s airfare to Europe. Tickets are on sale now. PAMANA needs your support to help continue the group’s mission to preserve and represent the diversity of the Philippine culture in the multicultural mosaic of Quebec and Canada.</p>]]></content:encoded>
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		<item>
		<title>Dear Ate V.</title>
		<link>http://www.montrealpinoypost.com/2010/02/28/dear-ate-v-6/</link>
		<comments>http://www.montrealpinoypost.com/2010/02/28/dear-ate-v-6/#comments</comments>
		<pubDate>Sun, 28 Feb 2010 14:00:04 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Dear Ate V.]]></category>
		<category><![CDATA[February 2010]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=789</guid>
		<description><![CDATA[Dear Ate V.,            My boyfriend and I have been dating for almost a year now and he forgot to treat me out for Valentine’s Day. Is that a bad sign? Does that mean he does not love me?            I would try not to make a big deal out of it. Valentine’s Day is [...]]]></description>
			<content:encoded><![CDATA[<p>Dear Ate V.,<br />
           <strong>My boyfriend and I have been dating for almost a year now and he forgot to treat me out for Valentine’s Day. Is that a bad sign? Does that mean he does not love me?<br />
           </strong>I would try not to make a big deal out of it. Valentine’s Day is pretty overrated. We have too many holidays to remember. Valentine’s Day is just another “excuse” to go out and spend unnecessary cash for overpriced flowers and boxes of chocolate. Valentine’s Day should be celebrated everyday! Show love 365 days a year! It is bad enough that the single people of the world have to endure this day of love by themselves and can only by my some miracle that a secret admirer will send them “candy-o-gram.” Just be thankful that you have someone to love and just leave it at. If you make a big fuss out of it, you may not have a boyfriend by the end of the day.</p>

<p><br class="spacer_" /></p>

<p>Dear Ate V.,<br />
         <strong>  What is the best way to introduce my girlfriend to my parents for the first time?<br />
           </strong>From personal experience and observation, I find there are a couple of ways to gently introduce your girlfriend (or in some cases your boyfriend) to your parents: Invite your significant other home to study. It may be easier to have other friends too at the time to help ease any kind of awkwardness. This can help your parents understand that your “friend” is part of your circle of friends. There are some parents who always want to know how you met each other and can get suspicious if she is not from school. Another other way, is taking her to any upcoming family gatherings or special events. This would be an easy way to tell your parents that she is very special; so special that you’ve brought her with you to take part in family functions. And if I were you, I would avoid any intimate contact (hugging, holding hands or kissing) for the first few parent encounters. You do not want to appear over confident with your new relationship in front of your parents.</p>]]></content:encoded>
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		<title>Dear Ate V.</title>
		<link>http://www.montrealpinoypost.com/2009/12/29/dear-ate-v-5/</link>
		<comments>http://www.montrealpinoypost.com/2009/12/29/dear-ate-v-5/#comments</comments>
		<pubDate>Wed, 30 Dec 2009 03:00:51 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Dear Ate V.]]></category>
		<category><![CDATA[December 2009]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=713</guid>
		<description><![CDATA[Dear Ate V.,            I have a really good friend and she likes me. How do I tell her that I am not interested in anything more without compromising our existing relationship?            It is stereotypical for girls to always talk about feelings, especially when they want to talk about feelings and relationships with guys.  [...]]]></description>
			<content:encoded><![CDATA[<p>Dear Ate V.,<br />
<strong>           I have a really good friend and she likes me. How do I tell her that I am not interested in anything more without compromising our existing relationship?<br />
           </strong>It is stereotypical for girls to always talk about feelings, especially when they want to talk about feelings and relationships with guys.  This is one situation where I recommend to talk about these feelings and not ignore them. If you are not interested, the least you can do for her is listen to what she has to say. Out of respect of your friendship, especially if you are good friends, allow her to put it all out on the table. Sometimes, allowing her to speak out, helps diffuse the situation. By ignoring it, it makes it more difficult for her to sort out her feelings because she does not know what to do with them. It’s similar to keeping her in the dark. She will only continue to hope that your friendship could develop into something more. She may have something important to say that may help you realize something that you never saw before. It may not be an easy conversation, and emotions could run high, but if you care about each other enough as good friends and allow yourselves to talk it out, your friendship will always be the guarantee. But make sure the conversation has closure. If you are still not interested, tell her exactly how you feel and in return of your amicable “rejection,” develop a better friendship with her. Sharing feelings creates a bond between two people. You will probably both feel awkwardness after this kind of conversation, but counter that by becoming closer friends than you were before your conversation.</p>

<p>Dear Ate V., <br />
        <strong>   I have a friend who seems to have trouble expressing their feelings. When we are out friends it often puts a damper on our activities. How do we show that we care and not &#8220;rain on the parade”?<br />
          </strong>First and foremost, understand your friend. Analyze the situation before approaching them: How long have you noticed this kind of behaviour? Do you notice this every time you are out together or on occasions? Can you find a pattern in their behaviour? Some people have trouble expressing their feelings because they are unsure how their friends might react to them; self conscious of how the expression of their feelings could affect the people involved. Your friend might even be intimidated to be open about their feelings. The obvious way to get them to be open is to simply ask them the “What’s wrong ?” question. But, before you do so, think back and see if maybe you have done something wrong to your friend that might have caused them to behave this way. Maybe they are trying to relay a message but not sure how to do it because they are afraid to hurt someone. They might think you don&#8217;t notice that something is wrong. And be sure to approach them in a non-condescending fashion. But also, do not under estimate your friend. He or she may know you are on to them. Either way, be prepared to hear what they have to say &#8211; it could involve you. Be understanding as much as possible, especially if you are familiar with their personality and how sensitive they may be.</p>]]></content:encoded>
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		<title>From One Mother to Another</title>
		<link>http://www.montrealpinoypost.com/2009/12/29/from-one-mother-to-another/</link>
		<comments>http://www.montrealpinoypost.com/2009/12/29/from-one-mother-to-another/#comments</comments>
		<pubDate>Wed, 30 Dec 2009 03:00:39 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[December 2009]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=706</guid>
		<description><![CDATA[            In the Montreal Philippine folk dance community, the name Cecille Hernandez is a familiar name. She has trained and choreographed for five of Montreal’s folk dance companies – Philippine Dance Theatre of Montreal, Filipiniana Dance Company, Kalinangan Dance Troupe, Salinggawi Philippine Arts Organization and PAMANA ng LuzViMinda Dance Company.             Tita Ces’ eldest daughter, [...]]]></description>
			<content:encoded><![CDATA[<p>            In the Montreal Philippine folk dance community, the name Cecille Hernandez is a familiar name. She has trained and choreographed for five of Montreal’s folk dance companies – Philippine Dance Theatre of Montreal, Filipiniana Dance Company, Kalinangan Dance Troupe, Salinggawi Philippine Arts Organization and PAMANA ng LuzViMinda Dance Company.<br />
            Tita Ces’ eldest daughter, Catherine, is no stranger to Philippine folk dance. Born and raised in Toronto and a graduate from the Ryerson Theatre Acting School, Catherine has endeavoured on a path of fusing Philippine folk dance with other modern art forms, a similar outlook that PAMANA ng LuzViMinda has already begun to explore.<br />
            Her play “Singkil,” which I had the pleasure to witness in January 2007, was nominated for 7 Dora Mavor More Awards (the Tony Awards of Canada) including “Outstanding New Play,” Independant Division.<br />
            It is more than obvious that Catherine’s productions are an outlet of inspiration of her mother’s reputation as a folk dancer. It was an honour to have met her for the first time in August for PAMANA’s 3<sup>rd</sup> stage production of “Tanaw ng Puso.” Familiar with her work, I was self-conscious of her presence, front row and center. She is a storyteller that has brought her visions to life, as have I.<br />
<strong>What lead you to be become a writer?<br />
            </strong>I have always been a storyteller. That&#8217;s what we do in Filipino Folk Arts. When I was a kid I was extremely shy and often stayed away from others. I spent my time by myself writing stories. I went into acting only, but was not completely satisfied. I hated playing small roles in television series that meant nothing. I also needed to make a regular living. I wrote the first draft of Singkil and had inadvertently handed it to Nina Lee Aquino, who would later become the Artistic Director of fu-GEN Asian Canadian Theatre Company. I just happened to have an extra copy on me. I had no idea who she was. She just wanted to see a copy of the script. Cut to many years later. I was on mat leave and I got this phone call from Nina asking to see the latest draft of Singkil to be submitted for the CrossCurrents Festival at Factory Theatre. The jury unanimously agreed that the play had to be developed. Two years later it was part of Factory&#8217;s season, produced by fu-GEN. Six months later we swept the Dora nominations. Since then, I happily call myself a writer.<br />
<strong>Why is storytelling so important?<br />
            </strong>Storytelling is a big part of who I am as a Filipino. It’s part of our culture to share stories. Storytelling keeps us together as a community, it shares our language, our traditions, our dreams. If we don’t have that, we’re lost.<br />
<strong>How would you describe your relationship with your mom and how has she influenced you? How can you relate that to your daughter Arden?<br />
           </strong>There are two sounds I will never forget in my life: The sound of the Singkil and the sound of my daughter&#8217;s heartbeat in utero. My mother granted me the first, my daughter, the second. Learning the Singkil was a crucial part of my relationship with my mother. She knew I had what it takes to be a great princess and worked tirelessly until I had it in my bones. She was very hard on me. But it worked. Arden was also hard on me. 51 hours of labour at home, no drugs. But what was born was a miracle of a child who lights up a room every time she enters. The Singkil is like life: The beat is in your body, you have to trust in your strengths in order to overcome fear, and when you do not trust, you fall.<br />
<strong>&#8220;Singkil&#8221; &#8211; Why dedicate this to mothers?<br />
            </strong>My play was for mothers because it was about a young girl who mourns the death of her mother by learning this ancient dance. Motherhood is a challenging role. So is the Singkil. The play bridges the two.<br />
<strong>Your performance with the Santa Guerilla Band at Dundas Square, what is the significance of your dance with the malong?<br />
            </strong>Santa Guerilla, like a lot of the work at the Kapisanan, uses traditional instrumentation in a modern-day setting. It is the same with my dancing that I do with that band. I use traditional tools, such as my fans or malong and I dance with it in a modern way. In “Future Folk,” we use the malong in numerous ways. It transforms into a baby, into a bed, into man etc. But in the beginning of the play, we emerge from the fabric slowly. This challenges the audience to see Filipinas in a way that isn’t conventional. We have faces, we look different, we can be sexual but not sex objects. We are strong. I feel the same sense of strength when dancing for Santa Guerilla. Each song speaks of pride in our culture and I feel that in my body too.<br />
<strong>Where do you think the future of Philippine folk dance is going?<br />
             </strong>We must remember that it is art. And art is a continuum. That means we have to remember that it will and must change with each person who performs it. That means it can&#8217;t be stagnant. We have to let it change. The operative word here is &#8220;folk&#8221;. Meaning, of the people. If the Filipino people change every day, we cannot expect our dance to stay the same. I do not mean that we do not respect our traditions. No. Tradition is imperative to moving into the future. Artists in Montreal should check out the work of artists at the Kapisanan Centre in Toronto. There is some amazing work being done trying to make sense of what our traditions mean in the present.<br />
Catherine has many projects on her plate in the new year:<br />
- “Future Folk” in February at Theatre Passe Muraille, Toronto &#8211; the vocabulary of Filipino folk arts to tell the story of Filipino folk <br />
     dance.   <br />
- “Eating with Lola” in May with fu-GEN Asian Canadian Theatre as part of their Potluck Festival &#8211; a one-woman puppet play about a<br />
    Lola&#8217;s search for food.<br />
- Movement coaching for Carlos Bulosan Theatre&#8217;s “When The Elephants Dance” in May &#8211; tells the story of Japanese occupation of <br />
    the Philippines.<br />
- Sulong Theatre&#8217;s production of “Kilt Pins”in May &#8211; written by Catherine about blossoming sexuality in a Catholic High School.<br />
- Co-writing “Coyote” alongside Mexican Poet, Emma Ari Beltran &#8211; tells the story of five Mexicans who are crossing the border into<br />
   the US.<br />
           After all those projects, Catherine hopes to tour “Future Folk” in Manila, across Canada and around the world.<br />
           Catherine and Santa Guerilla, resident artists of Kapisanan Philippine Centre of the Arts, have applied for a touring grant to tour across Canada in 2010 in partnership with various Filipino associations across the nation to reach out to their youth and teach them instrumentation, song and dance and hybrid them with styles like hip hop or reggae, mainstream forms that are popular with today’s youth. They will be stopping in major cities including Vancouver, Winnipeg and Montreal.</p>]]></content:encoded>
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		<title>Finding Comfort for the Holidays</title>
		<link>http://www.montrealpinoypost.com/2009/12/29/finding-comfort-for-the-holidays/</link>
		<comments>http://www.montrealpinoypost.com/2009/12/29/finding-comfort-for-the-holidays/#comments</comments>
		<pubDate>Wed, 30 Dec 2009 03:00:18 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[December 2009]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=698</guid>
		<description><![CDATA[            Christmas is just around the corner, and everyone is busy with their last minute Christmas shopping and preparation for the holiday celebrations. This is the time that we all think about our families and friends and what it means to “give better than to receive.”             While many get to celebrate and exchange gifts [...]]]></description>
			<content:encoded><![CDATA[<p>            Christmas is just around the corner, and everyone is busy with their last minute Christmas shopping and preparation for the holiday celebrations. This is the time that we all think about our families and friends and what it means to “give better than to receive.”<br />
            While many get to celebrate and exchange gifts with their entire family, some are incomplete. The holidays can also be a reminder of the family members that you have lost or who are unable to make it home for Christmas.<br />
           On November 29, members of the congregation of Snowdon Baptist Church, family and friends, celebrated the one year anniversary of the passing of Bernie Gose Tenorio, wife of Pastor Rod Tenorio of Snowdon and mother of Rubie and Bryan. Tita Bernie passed away in November 2008 of lung cancer. The event was also a memorial for anyone that has lost a loved one to cancer and a fundraiser for the Segal Cancer Centre of the Jewish General Hospital.<br />
           The evening was spent singing praise songs, Bible readings, special music and dance numbers and a video presentation in memory of Tita Bernie by Rubie and Bryan.  In attendance, were members of Philmac, Peoples Church, Tita Bernie’s first and last employers and Marvin Rotrand – City Councillor of Snowdon.  And a letter was read aloud from the mayor of Lachine Claude Dauphin.<br />
           In reflection of this event and the Christmas holidays, I interviewed Pastor Rod to express his sentiments of losing a loved one &#8211; in relation to his role as a pastor and father.<br />
            Pastor Rod Tenorio moved to Montreal and has been a part of Snowdon Baptist Church since 1988, marking his 21<sup>st</sup> year this November. Pastor Rod was born in Pangasinan, Philippines, completing his Bachelor of Science in Commerce. He worked in the Philippines for seven years and four years in Saudi Arabia. Only a couple of days after his arrival in Montreal, Tita Bernie introduced him to Snowdon. Together, they became very active in the church especially in the Filipino Fellowship. In 2004, he graduated from Moody Bible Institute of Chicago, USA and was ordained in August of the same year and has been Snowdon’s pastor for the last 15 years.<br />
            <strong>Why did you become a pastor?<br />
             </strong>It was God’s calling. When I was in the Philippines, after I graduated from highschool, I felt the call of God to be a missionary priest. In my Philippines, my highschool was managed by missionaries from Ireland and Australia. I was very impressed and touched with their work. For us Filipinos, when we see white people, we have a high regard of them. I was challenged by them. They came from a very rich country and now they are here in a poor country and doing the work of the Lord.<br />
            When Bernie brought me here (to Snowdon), I enjoyed doing the work here, especially in the Filipino Fellowship. I felt the call of God. We had Bible study every Saturday. We helped people. There was a joy in my heart doing it. Despite already having a double job and Bernie was pregnant, to make both ends meet, I had to work hard, and still on top of that I found joy in attending Bible study groups, studying the word of God, serving people. I did that from ’88 to ’97. The leadership of the church approached me to be part of the pastoral staff. And I said “yes”.<br />
             I felt more of the blessings of God when I joined the pastoral staff. There was a sense of belonging here, worshiping the Lord together with the multicultural diversity and unity here. It gives me joy to share the gospel of God. Being in the ministry gives me a lot of challenges but it gives me joy and it challenges my faith at the same time.<br />
            I thank God for the wonderful privilege. Even though life is sometimes like a ferris wheel, God is still faithful. And with what happened to my wife, I focus on the bigger things. The main thing is the love of Jesus Christ. I committed myself to God. To use me until the time he will take me home.<br />
            <strong>It’s been a year since the passing of Tita Bernie. How has that changed your life?<br />
            </strong>Of course as a human being, there are times I feel loneliness. We were serving the ministry together, but the Lord has a bigger plan. It has been quite a rough year for me. But as I said, I look to God and I trust Him that he has a bigger plan than my concerns or my problems. I have experienced his comfort because I believe He is a comfort. I hope that one day we will see each other because I believe that heaven is a place for those who trust in the Lord, where we can have a reunion. I hope to see her again with no more sickness. We will be rejoicing.<br />
            Of course, it affects our children. Now, with her passing, I have more responsibilities at church and at home.<br />
            <strong>Because she passed away so young, what kind of advice would you give anyone that is going through a similar situation?<br />
            </strong>Especially the young couples, I encourage them to spend quality time with their wives and their family. We know that life is too short, if you do your role as a husband and as a father, when there is tragedy, you will have peace.</p>

<p><br class="spacer_" /></p>]]></content:encoded>
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		<title>Awarding the Present for the Success of the Future</title>
		<link>http://www.montrealpinoypost.com/2009/12/29/awarding-the-present-for-the-success-of-the-future/</link>
		<comments>http://www.montrealpinoypost.com/2009/12/29/awarding-the-present-for-the-success-of-the-future/#comments</comments>
		<pubDate>Wed, 30 Dec 2009 03:00:11 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[December 2009]]></category>
		<category><![CDATA[Feature Article]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=696</guid>
		<description><![CDATA[            On November 21, 2009, I had the honour of receiving one of the ten Most Outstanding Filipino-Canadians of 2009 in Toronto. I was happy to share this special moment with members of my family, friends and colleagues from the Montreal Pinoy Post.             I could not have received this award without the special people [...]]]></description>
			<content:encoded><![CDATA[<p>            On November 21, 2009, I had the honour of receiving one of the ten Most Outstanding Filipino-Canadians of 2009 in Toronto. I was happy to share this special moment with members of my family, friends and colleagues from the Montreal Pinoy Post.<br />
            I could not have received this award without the special people that have been my supporters from day one – who continue to believe in my leadership, ideals and talent that I share with our Filipino community. Most of my community involvement was through my love of dance and the interest of learning about our Philippine culture. By fusing the two together, I have accomplished 11 years of Filipino folk dance. Throughout those 11 years, I have met many different but special characters from Montreal, across Canada and most importantly overseas in our motherland. From these special people, I have learned a lot about myself as a second generation Canadian born Filipina and my responsibility to sustain our culture for my generation and the generations that will follow.<br />
             Although, I am very humble of my accomplishments in the realm of Filipino folk dance, most notably for my leadership with PAMANA ng LuzViMinda Dance Company, I do hope that my acknowledgment of my duties in the Montreal Filipino community can only set off a chain reaction to the generation of leaders that will continue to learn about our culture’s past, react in the present and prepare for the future.<br />
             I thank Tita Leticia Bulotano Wheeler for nominating me. Without her support and constant drive I would not have become the leader that I am today; to my PAMANA family – parents and dancers alike – for their kind generosity and encouragement; to my Montreal Pinoy Post family for recognizing my talent to serve with the written word; and most importantly to my parents and brother for their continuous presence and interest in my activities within the community.</p>]]></content:encoded>
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		<title>Dear Ate V., (October 2009)</title>
		<link>http://www.montrealpinoypost.com/2009/10/11/dear-ate-v-4/</link>
		<comments>http://www.montrealpinoypost.com/2009/10/11/dear-ate-v-4/#comments</comments>
		<pubDate>Sun, 11 Oct 2009 20:00:57 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Dear Ate V.]]></category>
		<category><![CDATA[October 2009]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=623</guid>
		<description><![CDATA[Dear Ate V,            I am 17 years old and I am thinking of getting my belly button pierced but I am afraid of what my parents would say. Should I get it done?            Personally, I am not a fan of belly button piercings. I don’t find them attractive at all. It was popular [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Dear Ate V,<br />
           </strong><strong>I am 17 years old and I am thinking of getting my belly button pierced but I am afraid of what my parents would say. Should I get it done?<br />
           </strong>Personally, I am not a fan of belly button piercings. I don’t find them attractive at all. It was popular in the late 90s and early turn of the century. In some cases, it was a sign of rebellion or to be different or cool amongst friends. But the first question to ask yourself is “Why do I want a belly button piercing?” Is it because your friends have one? More than half of the time, other people won’t see it unless you plan on wearing a belly exposing t-shirt everyday. And don’t forget the amount of care you have to put in so it doesn’t get infected. As for your parents, depending on how traditional they are, I doubt they would approve, but who knows until you actually get one. A belly button piercing is a big a commitment. I would think about it more, do some research before making such a big decision.</p>

<p><br class="spacer_" /></p>

<p><strong>Dear Ate V,<br />
            </strong><strong>I keep having dreams about work. What does it mean?<br />
            </strong>It probably means that you really care about what you do at work. Some people have dreams about the last thought they think about before falling asleep. And sometimes it could be about work because that is what you have to wake up to the next day. It possibly means that you are nervous about something important going on at work like important clients, deadlines or projects. It may be a weird thing to dream about but it tells you that you want to do well at work.</p>

<p><br class="spacer_" /></p>

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		<title>Folk Arts Celebrates Silver</title>
		<link>http://www.montrealpinoypost.com/2009/10/11/folk-arts-celebrates-silver/</link>
		<comments>http://www.montrealpinoypost.com/2009/10/11/folk-arts-celebrates-silver/#comments</comments>
		<pubDate>Sun, 11 Oct 2009 20:00:09 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[October 2009]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=615</guid>
		<description><![CDATA[The Philippine Folk Art Society of Quebec was founded on December 4, 1984, a non-profit organization “To preserve the Filipino cultural heritage and to promote appreciation and understanding of Filipino values, traditions, history and culture.” The 2008-2010 officers of PFASQ is headed by Montreal Pinoy Post’s very own Editor in Chief Elenita Belgica; VP-Finance-Hilda Tan-Veloso; [...]]]></description>
			<content:encoded><![CDATA[<p>The Philippine Folk Art Society of Quebec was founded on December 4, 1984, a non-profit organization “To preserve the Filipino cultural heritage and to promote appreciation and understanding of Filipino values, traditions, history and culture.”</p>

<p><br />
 The 2008-2010 officers of PFASQ is headed by Montreal Pinoy Post’s very own Editor in Chief Elenita Belgica; VP-Finance-Hilda Tan-Veloso; VP-Cultural-Jayjay T. Villanueva; Secretary-Christine O. Villanueva; Tresurer- Lily Vasquez; Auditor-Merlita Tambanillo; Director Arts/Culture-May Virola; Director Government Relations-Vilma Kelly; Director Music-Marilou Berlow; Director Communication-John Linden; Director Membership-Remelyn Remigio.</p>

<p><br />
 The new board of officers was inducted by CDN/NDG borough councillor Marvin Rotrand on August 3, 2008 at “Le Montrealais” Restaurant located in the Fairmont Queen Elizabeth Hotel.</p>

<p><br />
 The organization undertakes various activities including an annual Parol making workshop, Philippine language classes, “Paskong Pinoy”. PFSAQ is most notably known for the formation of the Kalinangan Dance Troupe in 1996, an initiative by Alvin Veloso, advisor and former president of PFASQ. KDT has had the privilege of travelling abroad to Spain in 1998, representing Canada and the Philippines,  to participate in the World Folklore Festival with other international folk dance groups.</p>

<p><br />
 The PFASQ Terno Ball and Silver Jubilee will be held on Saturday, October 10, 2009 at the Hyatt Regency Hotel in downtown Montreal. The celebration will includes dinner and dance and special entertainment by the Philippine community’s three folk dance groups: Kalinangan Dance Troup, Salinggawi Philippine Arts Organization and PAMANA ng LuzViMinda. Tickets are $80 and available at the door.</p>

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		<title>Another legacy for the books</title>
		<link>http://www.montrealpinoypost.com/2009/10/11/another-legacy-for-the-books/</link>
		<comments>http://www.montrealpinoypost.com/2009/10/11/another-legacy-for-the-books/#comments</comments>
		<pubDate>Sun, 11 Oct 2009 20:00:02 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[October 2009]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=617</guid>
		<description><![CDATA[At Salle Brebeuf on August 29, 2009, PAMANA ng LuzViMinda Folkloric Dance Company, made history once again with &#8220;Tanaw ng Puso,&#8221; the organization&#8217;s third stage production in four years. Combining Philippine folk dance and theatre, &#8220;Tanaw ng Puso&#8221; tells the story of a young man, played by Johannes Friedrich, turned blind by an accident and [...]]]></description>
			<content:encoded><![CDATA[<p>At Salle Brebeuf on August 29, 2009, PAMANA ng LuzViMinda Folkloric Dance Company, made history once again with &#8220;Tanaw ng Puso,&#8221; the organization&#8217;s third stage production in four years. Combining Philippine folk dance and theatre, &#8220;Tanaw ng Puso&#8221; tells the story of a young man, played by Johannes Friedrich, turned blind by an accident and learns to cope with his inability to see through a special childhood friend played by Kristal Santos. As he grows, he discovers the connection of the sounds of his surroundings and his imagination. Blending the two together, he uncovers a new way to &#8220;see&#8221; what he is missing out on and brings the stage to life with Philippine folk dance. The show ended uniquely with an original choreography by PAMANA&#8217;s dance director Sherling de la Paz with a song from High School Musical 3 &#8220;Can I Have this Dance.&#8221;</p>

<p><br />
 The entire production was written and directed by yours truly, followed by a great team of young leaders who dedicated much of their time (and summer) to make this show successful. Sherling was assisted by Jorge and Jezah Antonio, Anthony-Virgil Bermejo, and Eva Friedrich. Live music was directed by John Tuvida and assisted by Marie Nolasco. MOst of the folk dances and music are adaptations by Edwin C. Duero of the ECD Dance Company, Philippines and PAMANA&#8217;s international advisor Cecille Hernandez, former Artistic Director of PAMANA.</p>

<p><br />
 PAMANA is also blessed to have a devoted team of dancers, parents and supporters. Thank you to all that were involved and who attended the show. Next on PAMANA,s agenda foe 2010-PAMANA will be fundraising to cover expenses to participate in the international festivals with CIOFF in Europe.</p>]]></content:encoded>
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		<title>Dear Ate V. (August 2009)</title>
		<link>http://www.montrealpinoypost.com/2009/08/02/dear-ate-v-3/</link>
		<comments>http://www.montrealpinoypost.com/2009/08/02/dear-ate-v-3/#comments</comments>
		<pubDate>Mon, 03 Aug 2009 02:00:54 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[August 2009]]></category>
		<category><![CDATA[Dear Ate V.]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=445</guid>
		<description><![CDATA[By: Veraida-Lyn Bermejo My boyfriend is still close friends with his ex-girlfriend. They were together for 5 years before they broke up, and it was a mutual break up. How do I tell him that it makes me uncomfortable that they still keep in touch? It is important to keep an open communication in a [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em>By: Veraida-Lyn Bermejo</em></strong></p>

<p><strong>My boyfriend is still close friends with his ex-girlfriend. They were together for 5 years before they broke up, and it was a mutual break up. How do I tell him that it makes me uncomfortable that they still keep in touch?<br />
 </strong>It is important to keep an open communication in a relationship and it is only natural that you feel uncomfortable. To avoid any confrontation with your boyfriend, try and understand their friendship and why they have remained good friends. You can be open with your boyfriend and tell him how it makes you feel and KINDLY ask him to REDUCE communication with her. Asking him to cease communication may feed off as jealously. Put yourself in his shoes and ask yourself how you would feel if you were asked the same question. It wouldn’t be fair if you got upset if you still had a close friendship with your boyfriend. By confronting him, you may also give off the idea that you don’t trust him. As long as their friendship is not keeping your relationship from growing then it is safe to say “do not worry.” But if you know that he has a history of being untrustworthy then I would just keep my eyes and ears open just in case&#8230;</p>

<p><strong> I am 28 years and I still live with my parents? Is that bad?<br />
 </strong>It depends&#8230;Nowadays, it takes some young adults longer to find their career job before they move out and make a life of their own. It is what you do at home that can be the deciding factor. It is easily excusable if you are still in school, therefore you probably do not have a high paying job to keep you on your feet by yourself. Usually in that case, it is excusable because you may not be making enough money to help pay expenses like the electrical bill, groceries, etc. But if you are done school and have a reasonable paying full time job, in respect to living under your parents’ roof you should help lighten the load. By doing so, this will you develop responsibility and understand what it means to keep up with the everyday utilities. But if you live freely off such luxuries and do not demonstrate and any kind of responsibility then you can expect some sort of criticism&#8230;that’s when it will be bad.</p>

<p><strong> To send your questions, email:<br />
 </strong><a href="mailto:montrealpinoypost_verabermejo@yahoo.ca"><strong>montrealpinoypost_verabermejo@yahoo.ca</strong></a></p>

<p><br class="spacer_" /></p>]]></content:encoded>
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		<title>A Leader for Tomorrow</title>
		<link>http://www.montrealpinoypost.com/2009/08/02/a-leader-for-tomorrow/</link>
		<comments>http://www.montrealpinoypost.com/2009/08/02/a-leader-for-tomorrow/#comments</comments>
		<pubDate>Mon, 03 Aug 2009 02:00:43 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[August 2009]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=385</guid>
		<description><![CDATA[In just a few days, the Filipino community will be voting for a new leader for FAMAS, one of the first and oldest associations in Montreal. Four new candidates and their Board of Directors have put themselves up to the challenge to win your vote. Montreal Pinoy Post interviewed each candidate, asking the same questions, [...]]]></description>
			<content:encoded><![CDATA[<p><em>In just a few days, the Filipino community will be voting for a new leader for FAMAS, one of the first and oldest associations in Montreal. Four new candidates and their Board of Directors have put themselves up to the challenge to win your vote. Montreal Pinoy Post interviewed each candidate, asking the same questions, leaving it to our readers to make the right and honest decision on August 9 at Van Horne Park to choose FAMAS’ next president. Good luck to all the candidates!</em></p>

<p><em><br />
</em></p>

<p><strong> <span style="font-size: medium;">AU OSDON – Team “Mabuhay”<br />
 </span><em>Interviewed by: Veraida-Lyn Bermejo</em></strong></p>

<p><strong>What is your party’s platform?</strong></p>

<p><strong><br />
 </strong> Our party’s platform is to really work together with everybody towards progress, peace and a better tomorrow. Our biggest thing, based on the existing constitution and by-laws of FAMAS is the community center. We want it to be a center that every Filipino-Canadian should be proud of, a place where people will be welcomed, feel free and feel safe to be in. We would like make it a resource center, introduce programs along with the existing ones, which is the heritage class, but for Debbie [Resurreccion] and Erwin [Fausto], they said we need our history class. There are alot things that we can do and for their children who are now growing up. They told me “I remember when I was growing up we had all of this, but where is it now?”</p>

<p><br />
 Also to service a welcoming and orientation for newcomers who are live-in caregivers and sometimes do not have a place to stay. Some only come out from their employers during the weekend. Some don’t even rent an apartment because they can’t afford it. I remember I’ve gone through that so I know what the needs are. I think they need a place where they can sit for a few hours, watch our Filipino shows in the Philippines and chat with the others and share their concerns so they feel they are not alone. When you are new here, you need that sense of belonging; you need a family.</p>

<p><br />
 Then we would like to explore the possibility of why do not have a foundation up to now.  It has come to a level where we can make a difference in the voting of the politicians, and we should take advantage of our number now, whether it is of the municipal, provincial or federal government, and we can now make a difference and take advantage of that. We would like to connect with people that can lobby for us, who can get us a foundation, separate from FAMAS, so this can manage independently like the FAMAS center.</p>

<p><br />
 And we also want to spearhead efforts in existing groups to take ownership and contribute financially towards the center. They think the center is only for FAMAS; it is for everybody and FAMAS is a symbol of the Filipino community center so we should take ownership because we all belong there. If each association, for example, the Nurses’ Association, we will have fundraise effort for FAMAS and cover the electricity and the utility bills for one month. And if every group would do that, it’s do-able and probably have a bigger center soon because we have growing needs. The community is growing very quickly.</p>

<p><br />
 We would also like to create a FAMAS website. It is very important and it is now the way to communicate with everybody. Our society is changing so fast, we have to grow with the society. If we keep on doing what we used to do 10 or 20 years ago, then we are being left behind. We can disseminate to people how we spend our money, what activities we offer, what services we have, disseminate the information to everybody easily and they will feel proud they have a center. We cannot do it ourselves and we cannot do it overnight. If we get a lot of people that share the same aspirations and goals with us, to work with us, it can be done.</p>

<p><br />
 In line with that, we would like to promote participation, inclusiveness and volunteerism among our members. A lot of our members stay away from the association because there is a lot of people talking badly and we do not want to work that way, we have to appreciate why all these candidates are running because it is for the same goal &#8211; it is for our community, so we have to appreciate each other rather than stabbing each other in the back. There has been a lot of things about transparency, good governance, accountability and respect for the dignity of everyone. We may have to really look at the by-laws and maybe along with that have some policies and other documents to support and give more and come up with more policies to control the way we do things and they way we conduct ourselves.</p>

<p><br />
 We would like to build strong relation with all levels of government because we want to be represented and considered in all areas of decision and policy making like consultations, so Filipinos really need to be represented.  If we build our networks with all these other groups and become a strong unity, maybe these governments will listen to us more rather than take us for granted. We have to have that kind of environment where everyone can talk and sit down together and be united. They will look at us more seriously. We can’t just talk the talk but we also have to walk the talk.<br />
 We want to pave the way for a great participation and involvement among the young people. Twenty years ago I was a FAMAS president. We tell the youth you are the future. That future is now. So it’s about time we walk with them, we journey with them so they know that we are living with them, the situations they are facing. I’m sure it is going to run better with the young people taking over. You can’t leave them to handle everything of course they will be lost and they need people to walk with them; who will respect what they will say and value their contribution; who listen to them and take them seriously. Because some of them have done other things in the community before, but just look down at them and don’t take them seriously because they are kids but not anymore. <br />
 We are here and we hope people will take us seriously and we will do our best.</p>

<p><strong>What are your short term/long term goals for FAMAS if elected?</strong></p>

<p><strong><br />
 </strong>First of all, it is to look at the situation. We want to know what are getting into. It’s very hard. Some people are asking “Why don’t you come up with a budget?” How can you come up with a budget, when you don’t even know the real situation right now? We have to work to build a relationship with the past administration. Sometimes there is animosity with people losing and winning. If we only we can learn exactly what we are starting with and work with it.</p>

<p><br />
 We will create committees, different committees to review the by-laws and the constitution of FAMAS, people to look at the foundation so everything will work hand in hand. The website is also important so we can communicate with the bigger community.</p>

<p><br />
 First, really is to reach out to people. Twenty years ago it was a matter of fundraising. Through the years we have accumulated money to buy this center, but now it’s there and it is a matter of maintaining it.</p>

<p><strong>How would you encourage the youth to get more involved?</strong></p>

<p><strong><br />
 </strong>The fact that Debbie and Erwin are with us, they can easily invite friends to come over and see the center and create activities, like creating a website and create a group of youth who will handle that and empower them and let them do what they can do. If you continue to look at what they do, we don’t want to control, we have to empower them. So if they know that they are part of the whole plan, they will be more involved.  I trust we can come up with a lot of activities like history or etiquette lessons for young teens, like 20 years ago.</p>

<p><br />
 We’ve cried and we’ve talked to young teens around the corner of the street and it’s amazing how much you learn, just reaching out to these people. We have lot of young people who are lonely out there and they easily get influenced by drugs and have nothing else to do. We were talking the other day, near the Filipino Bakery, a boy who has been here for one month, has nothing to do and he wants to go home. We can make that center a place where they can get together, maybe it will help a little, even in small ways we can reach out to these people. There is a lot of lonely and lost people out there. So I hope Debbie and Erwin, we can learn from them. We learn from the young people. At our age, we talk at a different level. If they can talk to their peers, people the same age as them, they will be more comfortable. And maybe young adults can also help our young people who are coming while their parents are working to meet both ends meet. We’ve all gone through that and we should never forget to be able to help our own people.</p>

<p><strong>What is your previous involvement in the Filipino community?</strong></p>

<p><strong><br />
 </strong>I came in 1981 and because I was alone, right away I got involved. I was forced by Debbie’s mother to come to the park and now I am the one inviting Debbie to get involved. And when I went to the park, I thought I was going to a picnic and then all of a sudden, before I knew it, I was the recording secretary of FAMAS. So that was my first involvement. Then I was the founding member of the first live-in caregiver program. We called our association the United Filipino Homemaker’s Club. Twenty years ago I headed FAMAS. With 20 years being the in the community and getting involved in other associations, I have learned more and I know the community much better. I have also matured.  I have also been the president of PBSSQ. The National Council of Canadian Filipino Associations, it’s a national body, unfortunately it died a natural death but I was once the regional vice-president for the eastern region, which covers Quebec. I have been the secretary for several terms for the Federation, I never got involved further because I got involved with NCCFA. I’ve been more with religious groups. I am currently the chairperson of St. Kevin’s Parish and MC-ing here and there. It is just not a matter of socializing; you get to know more people; you get to know the needs; you get to know who is running them. It’s nice to be able to interact with some many people in our community.</p>

<p><br class="spacer_" /></p>

<p><br class="spacer_" /></p>

<p><strong><span style="font-size: medium;"> MEL DOMINGO – Team “Lingkod Bayan”<br />
 </span><em>Interviewed by: Veraida-Lyn Bermejo</em></strong></p>

<p><strong>What is your party’s platform?</strong></p>

<p><strong><br />
 </strong>Our platform is only one. Everybody told me not to have too many platforms because if I cannot do it, they will tell me I am a liar. That’s why I prefer to have one platform and I am sure I can make it. My platform is &#8211; I will amend the constitution. There are so many things in the constitution to be removed and be replaced with a better one. The number thing that I will do is amend the constitution and then after I amend I will remove the membership fee. The membership fee is a big problem because some of our countrymates, when elections comes, they will say “I will go and vote and then pay.” Candidates who have money, almost every election, have won. How about candidates who have no money but they have knowledge that the community can benefit, but they have no chance? For example, I am rich and you are poor. My son loves drinking alcohol and sometimes he is using prohibited drugs. He will run for president.  Your son is a good boy. He is the right person to administer our association but he has no chance. Now, after election, of course, I have money and my son will win. What will my son do in his position as president? He has nothing to offer but to drink. So, my plan is to remove that membership fee so that even if your son is poor and my son is rich, it is a fair election.  There is no money involved. That is our platform, and like I said, we only have a short platform, not like the others with so many platforms. Those people with so many platforms, there are so many promises. If they win, they will remove the 4 letters from the word “platform” what will remain?  “Form”. In Tagalog, “porma” – “wala sila magawa.”  The rating of our community is going down because of vote buying. So my promise, if I win, I will remove the membership fee.</p>

<p><strong>What is your previous involvement in the community?</strong></p>

<p><strong><br />
 </strong>I am the member of Knights of Columbus and I have the rank of fourth degree, the highest of the Knights of Columbus. I am also a member of the Kampapagan Association, Novo Ecijiano Association, Ex-serviceman Association, United Filipino Seniors Association and Dynamic Association. Novo Ecijiano was founded in 2004 and I am one of the founding members; as well as Ex-Serviceman and Telequenos Association. In FAMAS, I was elected three times as director and the last time I was elected among the members of the executive board as vice president. The first time I was elected under Joe Bustamante, I noticed that the Filipino community has no sign that it is a property of the Filipinos. I sponsored in the executive board that the building must have a Filipino flag. That is the first project I have made. The second time I was elected as director, under Benny Parial, we already had a flag pole in front of the building but no safety around it. I sponsored to the executive board that the flag should have a fence but the executive board disapproved it. I put a fence with my own money. I did not use FAMAS fund; I did not collect; I sacrificed my pocket. And when I was elected as director during Albert Florescar, I was elected again amongst the board as vice president. As vice president, I was the administrator of the building.</p>

<p><strong>What is your short term and long term goals for FAMAS, if elected? How would you encourage the youth to get more involved?</strong></p>

<p><strong><br />
 </strong>If I will be elected and some of my directors will be elected (I am praying that all of them will win). Aside from amending the constitution, my plan is to train a young one to unite the youth because I personally believe that the future of the country is the youth. Our successors are the young ones, who we call the “kabataan”. The second plan, if I will be elected, I will organize them. I have a candidate to prepare to hold the youth – Neil Castro. If we win, I will give him the youth. If we will win, Neil will win, I am sure he can help me to unite the youth; to make projects for the youth so that they will be trained on how to become a leader.</p>

<p><br />
 You can assure I am elected, if God permits, what I have said will be done.</p>

<p><br class="spacer_" /></p>

<p><br class="spacer_" /></p>

<p><strong><span style="font-size: medium;"> CHRIS BAUTISTA – Team “Kilusang Byanihan”<br />
 </span><em>Interviewed by: Elenita Belgica</em></strong></p>

<p><strong>What is your party’s platform?</strong></p>

<p><br />
 Our platform is very simple it is all about TEAMWORK working together with one voice…the voice of the GROUP. It is the BAYANIHAN SPIRIT.</p>

<p><strong> What are your short term/long term goals for FAMAS if elected?</strong></p>

<p><strong><br />
 </strong> Our short term goals are: financial cleaning up and organizing financial records with transparency in order to manage the organization effectively. We will also clean up and fix the center for the comfort of everyone. Our long term goals:  we have to work hard and earn back the TRUST of the community to FAMAS. We have to do our best to give HONOR to the objectives of the organization.</p>

<p><strong>How will/can you encourage more youth to get involved in the Filipino community?</strong></p>

<p><br />
 Leaders are role models and I desire to motivate others by being a role model.  So it is important that we are self-motivated and show good examples.  I always speak up and share what is in my heart.</p>

<p><strong>What is your previous involvement in the Filipino community?</strong></p>

<p><br />
 I have been promoting our culture which is the traditional FILIPINO MARTIAL ARTS known as Eskrima or Arnis. My grandfather Cacoy Canete is the grandmaster of this martial arts and the founder of Doce Pares in 1932. This martial arts dates back to Lapulapu who used this art in defeating Magellan. Cacoy Canete ‘s 12 striking moves, or Doce Pares, popularized this Filipino Martial Arts. We are known globally and I continue this cultural legacy here in Montreal when I teach it to Filipinos and other nationalities.</p>

<p><br class="spacer_" /></p>

<p><br class="spacer_" /></p>

<p><strong><span style="font-size: medium;"> FLOR RILLO – Team “Samahang Makabayan”<br />
 </span><em>Interviewed by: Elenita Belgica</em></strong></p>

<p><strong>What is your platform, short/long term goals and encouragement for the youth?</strong></p>

<p><strong><br />
 </strong>The platform was long time written. First things first, our team mission &#8211; our mission is to continue the progress we have established in order to build more effective organization that understands and meets the needs of FAMAS and this community. Our vision &#8211; our community center is a place where our community members feel comfortable and enjoy the friendly and relaxing environment. Our community members of all ages, come together, unified and empowered by sharing the belief that they hold the power to create and share in how they live and grow in the community.</p>

<p><br />
 Our core values reflect the FAMAS mission and philosophy. They guide the decisions made by the team members: community &#8211; those we work with and those we serve; cooperation &#8211; the spirit of work ethics; compassion &#8211; the inspiration that guides our work and for our commitment, the pledge we made. Our goals enhance the positive image of our center and maximize the operational functioning seven days a week.</p>

<p><br />
 Action plan: Designate a full time building administrator with defined duties and responsibilities; develop policy and procedure (ex. building upkeep and maintenance); develop and implement a volunteer program; develop and implement program activities &#8211; social, cultural and educational that are appropriate for all ages; develop strategies on how to maximize our human and financial resources in our community center;  develop FAMAS administrative policy and procedure in order to have consistency, continuity and uniformity for effective and productive operation of the organization; develop code of ethics for our organization (ex. officers and members). This is a guide to involve as they ascribe to render effective and efficient service for FAMAS and for the community.</p>

<p><br />
 Evaluate and enhance the existing programs such as Filipino heritage class, classes for children, French language, classes for new arrival immigrants and develop a welcoming and orientation program for new arrivals. Enhance the financial revenue of FAMAS by doing an annual membership drive. Do partnership with our community organizations, with their social and cultural activities and educational programs. Develop and implement educational programs for FAMAS, executive board members to enhance the knowledge and skills to be effective and productive.  Develop FAMAS a strategic framework. This is our roadmap that will guide us in the right direction.</p>

<p><br />
 We will develop our strategic plan for term 2009 and 2010 administration. Continue and enhance our linkages with other agencies such as government, both locally and provincially, and also financial and business entities.  Actively participate in community health programs, relating to promotion of wellness and restoration and maintenance of health.</p>

<p><br />
 I believe these are my goals and missions.</p>

<p><strong>What is your previous involvement with the Filipino community?</strong></p>

<p><strong><br />
 </strong>I was elected as director and hold the position of business manager during the Florescar. Under the administration of Claro [Bermudez,] I was business manager too, and while leaving FAMAS for vacation to different places I assumed the position of vice-president. I joined and Cultural and Heritage Association under Lina Flores and I was also business manager. I was an accountant of Novo Ecjiano Association. I am current commander of Knights of Rizal.</p>

<p><strong> </strong></p>

<p><br class="spacer_" /></p>

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		<title>Have you seen this man before?</title>
		<link>http://www.montrealpinoypost.com/2009/08/02/have-you-seen-this-man-before/</link>
		<comments>http://www.montrealpinoypost.com/2009/08/02/have-you-seen-this-man-before/#comments</comments>
		<pubDate>Mon, 03 Aug 2009 02:00:16 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[August 2009]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=439</guid>
		<description><![CDATA[By: Veraida-Lyn Bermejo In the Montreal Filipino community, there are plenty of events to attend – pageants, dinner parties and concerts.  You’ve been to so many that you see the same familiar faces over and over again but you can’t seem to point your finger as to where you’ve seen them before? One of those [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong>By: Veraida-Lyn Bermejo</strong></em></p>

<p>In the Montreal Filipino community, there are plenty of events to attend – pageants, dinner parties and concerts.  You’ve been to so many that you see the same familiar faces over and over again but you can’t seem to point your finger as to where you’ve seen them before? One of those faces may has hosted various events such as Binibining Pilipinas Montreal, Little Miss Philbecan and Fil-Can Idol;  you’ve probably caught him dancing Tinikling or balance on a bench a few feet off the ground;  or open for the Piolo Pascual, Sam Milby and Pokwang concert with the Philippine National Anthem.  That familiar face could very well be Neil Yapp. His appearance and name has circulated around the Filipino community over the last two to three years.  So who is Neil Yapp?</p>

<p><br />
 Neil was born in Kingston, Jamaica, with a background of Chinese-Jamaican with German.  He and his family moved to Toronto when he was 2 years old. He attended Mary Ward Catholic Secondary School in Scarborough and was a full active student &#8211; volleyball, dragon boat, year book, jazz choir and the president of student council. After attending York University, Neil moved to Montreal in October 2000 to attend Concordia University in Theological Studies and recently graduated with a Masters degree.</p>

<p><br />
 Not only was Neil active in school, he was also active with CFC-Youth for Chris and CFC- Singles for Christ. He was the head of special events for Gawad Kalinga and executive director for productions that headlined Filipino celebrities such as Louie Reyes and Joey Albert, whom he is now good friends with and by her request sang a duet for a Christmas concert that benefitted the Filipino Catholic Mission.</p>

<p><br />
 Neil started training in Philippine folk dance with Folklorico in Toronto.  He was first introduced to Philippine folk dance by his grade 4 teacher who ran a lunch time cultural club.  The first dance he learned was Binasuan and today, is notably one of Neil’s speciality dances.  His training was short-lived because of conflicts in schedule and decided to focus on his leadership in YFC.  In 2005, he regained his interest in folk dancing while looking for a group to participate in a GK concert in Montreal. He stumbled upon Salinggawi Philippine Arts Organization.  It was Leticia Bulotano Wheeler, founder of Salinggawi, whom convinced him to join. He was inspired by the well trained dancers displaying their culture and was motivated to dance as well as them.</p>

<p><br />
 Through that awakening and studying Philippine folk dance – watching videos of other groups, researching and networking, Neil became a founding member of PAMANA ng LuzViMinda Folkloric Dance Company in 2005 and became the president in 2007.  Unfortunately, he was unable to finish his 2 year term to move back to Toronto and work as the manager of Consumer Affairs at Maple Leaf’s Head Office. But he still keeps his relationship with PAMANA and continues his endeavour in Filipino folk dance with Fiesta Filipina Dance Troupe of Canada.</p>

<p><br />
 With a dynamic background, how did Neil ever find the time for acting? In PAMANA, Neil performed duo roles as dancer and actor in two of the company’s theatre incorporated productions.</p>]]></content:encoded>
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		<title>Dear Ate V. (June 2009)</title>
		<link>http://www.montrealpinoypost.com/2009/06/16/dear-ate-v-2/</link>
		<comments>http://www.montrealpinoypost.com/2009/06/16/dear-ate-v-2/#comments</comments>
		<pubDate>Wed, 17 Jun 2009 00:00:16 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Dear Ate V.]]></category>
		<category><![CDATA[June 2009]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=328</guid>
		<description><![CDATA[By: Veraida-Lyn Bermejo Question: I’m dealing with a friend who is falling for someone for all the wrong reasons and with someone who I know for a fact will hurt her. How do I deal with this? Answer: As a friend, you need to do two things – 1) Tell her how you feel about [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em>By: Veraida-Lyn Bermejo</em></strong></p>

<p><strong><br />
 Question: I’m dealing with a friend who is falling for someone for all the wrong reasons and with someone who I know for a fact will hurt her. How do I deal with this?<br />
 </strong>Answer: As a friend, you need to do two things – 1) Tell her how you feel about the person he/she is falling for. But make sure your intentions are valid and your reasons are legitimate. It is great that you are looking out for your friend but you don’t want him/her to think that you are jealous of their new relationship. 2) Respect whatever decision he/she makes. If they don’t listen to what you have to say, do not get upset. If that friend really means a lot to you, then you will have to understand their decision, even it is not what you had hoped for. As their friend, you’ve done your part and can only support their decision and be there for them if something bad does happen.</p>

<p><strong>Question: </strong><strong>What do I do if I have to move out of the country but I have a girlfriend?<br />
 </strong>Answer: First, ask yourself the question: Where do I see this relationship going? Do I want to take this relationship seriously or cut loose ends? Long distance relationships are possible and can have a happily ever after ending, but only if the both sides work at it. If you really care about your girlfriend and she is serious about the relationship, then the long distance relationship should work out. But if you really don’t care how the relationship will roll out when you are away from her, then you might as well save yourself the trouble and break up with her before you move out of the country. Long distance relationships always work out if your heart is in it. It may sound cheesy, but when you put time and effort on something you like or want to keep, that means it the right thing to from the very beginning.</p>]]></content:encoded>
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		<title>HARANA: A serenade of the past</title>
		<link>http://www.montrealpinoypost.com/2009/06/16/harana-a-serenade-of-the-past/</link>
		<comments>http://www.montrealpinoypost.com/2009/06/16/harana-a-serenade-of-the-past/#comments</comments>
		<pubDate>Wed, 17 Jun 2009 00:00:08 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[June 2009]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=319</guid>
		<description><![CDATA[ By: Veraida-Lyn Bermejo Harana is a genre of Philippine music dating back to the country’s Spanish era.  Its lyrics portray a romantic theme with some sub categories depicting a love story.  Harana is also traditionally known as a serenade to woman outside her bedroom window at night. Florante Aguilar is well known amongst today’s Filipino-Americans. [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em> By: Veraida-Lyn Bermejo</em></strong></p>

<p><br />
Harana is a genre of Philippine music dating back to the country’s Spanish era.  Its lyrics portray a romantic theme with some sub categories depicting a love story.  Harana is also traditionally known as a serenade to woman outside her bedroom window at night. Florante Aguilar is well known amongst today’s Filipino-Americans. He plays traditional western classics, contemporary music and other genres, but he cannot deny his true love for harana.</p>

<p> Florante, born in Manila and raised in Cavite, learned to play the octavina in a rondalla group led by his neighbour’s gardener; a fond memory from his childhood. Thanks to rock and roll, he learned to play the guitar and later, by the age of 16, was enrolled in the University of the Philippines College of Music. In 1985, he toured for 6 and half months, around Europe, the US and Asia, playing in major cities as a soloist and ensemble player. After seeing the world at a young age, Florante moved to New York with a scholarship studying at the Manhattan School of Music with Grammy award winner Sharon Isbin, also a classical guitarist and founder of the guitar department in Julliard.</p>

<p>In 1996, Florante received a Bachelor of Music degree at San Francisco Conservatory of Music in 1996 mentored by David Tenenbaum. He is the half of the Barbary Coast Guitar Duo along with guitarist Micheal Walsh .</p>

<p>In 1997, Montreal was fortunate to have Florante serenade his audience at a benefit concert called “Tipanan” at Lower Canada College through Voice Productions and Pinoy Post’s very own Chief Editor Elenita Belgica. Florante’s recent works are hailed in a stage production in San Francisco. “Lalawigan: A Contempoary Tagalog Song Cycle.  Lalawigan, means province in Tagalog. Florante’s credit as writer, composer and guitarist was created through a grant by the San Francisco Arts Commission.</p>

<p>The story takes places in 1898 in Cavite during the uprising against Spain. The characters are inspired by the unsung heroes of this era in Philippine history, including the legendary rebel of the revolution Macario Sakay played by award-winning Philippine actor Raymond Bagatsing. Remaining loyal to the musical genre of this era, Florante composed harana and kundiman music.</p>

<p>Up next, Florante will be performing on July 1<sup>st</sup> at Intramuros Restaurant in San Francisco. And for the first time in nearly 20 years, he will be performing with his teacher from New York Michael Dadap. Proceeds of the event will go towards the completion of a documentary by award winning Benito Bautista called “Harana”, a film that romanticizes the culture of Harana through the eyes of Florante himself.  The documentary reveals a long lost tradition that once was part of Philippine custom that only survives through a very few and hopefully has a chance to blossom once more.</p>]]></content:encoded>
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		<title>PAMANA 3rd Anniversary Gala</title>
		<link>http://www.montrealpinoypost.com/2009/04/19/pamana-3rd-anniversary-gala/</link>
		<comments>http://www.montrealpinoypost.com/2009/04/19/pamana-3rd-anniversary-gala/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 04:00:33 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[April 2009]]></category>
		<category><![CDATA[Arts & Culture]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=207</guid>
		<description><![CDATA[By: Veraida-Lyn Bermejo On February 7, PAMANA ng LuzViMinda celebrated a successful 3rd anniversary at Chateau Royal in Chomedy, Laval. The evening was spent honouring former members of PAMANA’s Executive Board – Mr. &#38; Mrs. Leo Tuvida and Joaquina Tino and special plaques of appreciation to former PAMANA presidents – John Tuvida and Neil Yapp. [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em>By: Veraida-Lyn Bermejo</em></strong></p>

<p><br class="spacer_" /></p>

<p>On February 7, PAMANA ng LuzViMinda celebrated a successful 3rd anniversary at Chateau Royal in Chomedy, Laval. The evening was spent honouring former members of PAMANA’s Executive Board – Mr. &amp; Mrs. Leo Tuvida and Joaquina Tino and special plaques of appreciation to former PAMANA presidents – John Tuvida and Neil Yapp. PAMANA end their evening showcasing a 40-minute set of dances that they learned during their one week in the Philippines last summer.</p>

<p> PAMANA was formed in 2005 with only 15 dancers. With Leticia Bulotano Wheeler as the group’s leading inspiration, parents of the dancers and other supporters invested their money and their backyards to get the group off the ground.  PAMANA has wowed audiences all over Montreal, Drummondville, New Jersey, Vancouver and Ottawa.</p>

<p>            In July 2008, 30 dancers and 20 parents of PAMANA travelled to the Philippines to meet and receive formal training from Edwin Duero of ECD Dance Company and Victor Flor of the Philippine High School of the Arts in Los Banos, Laguna.   PAMANA spent four 10-hour days training and learning new dances at the National Arts Center on Mount Makiling and returned to Montreal enriched in new folk dance material.  To bring a taste of Canada to the Philippines, PAMANA performed two shows in one day at the Christian School International to help raise money for the Philippine High School of the Arts Employees Association to cover expenses food, transportation and lodging expenses.   And by special request, Cora Inigo, CIOFF delegate for the Philippines, arranged a performance at Diliman Preparatory School. The group performed “Pinagkalooban,” a dance/theatre production from 2007 that tells the story of a father and son relationship and finding the connection through the common heritage that they share.  All three shows had a full house of spectators. </p>

<p>             At the gala, the group presented their new dances from all five categories of Philippine folk dance as well as some traditional favourites like Pandanggo sa Ilaw and Tinikling. The event was attended by specials guests of numerous Philippine associations in Montreal, as well as the Philippine Ambassador to Canada, Mr. José S. Brilliantes.  PAMANA’s showcase was well praised by the guests, not only for their flawless performance but also for their collection of the authentic Cordillera, Muslim and Southern Tribal costumes that were acquired in the Philippines. That evening was the first time the group performed these new dances with even more to share in 2009.</p>

<p>PAMANA has proven to have a bright future ahead of them and no sign of backing down from continuing their venture to promote and share an essential part of the Philippine culture. In 2009, PAMANA will participate for the 2<sup>nd</sup> year in a row at the Ottawa Tulip Festival in May and join forces with the Karilagan Dance Society of Edmonton this summer as part of an exchange program with SEVEC. PAMANA will satge ther 3<sup>rd</sup> grand production at the end of the August. In 2010, PAMANA will represent Canada and the Philippines in a CIOFF festival in Europe.</p>]]></content:encoded>
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		<title>Dear Ate V. (April 2009)</title>
		<link>http://www.montrealpinoypost.com/2009/04/19/dear-ate-v/</link>
		<comments>http://www.montrealpinoypost.com/2009/04/19/dear-ate-v/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 04:00:16 +0000</pubDate>
		<dc:creator>Veraida-Lyn Bermejo</dc:creator>
				<category><![CDATA[April 2009]]></category>
		<category><![CDATA[Dear Ate V.]]></category>

		<guid isPermaLink="false">http://www.montrealpinoypost.com/?p=223</guid>
		<description><![CDATA[By: Veraida-Lyn Bermejo Dear Ate V. , My boyfriend and I broke up 7 months ago. Since then, he has made no attempt to contact me. Two weeks ago, he saw my sister and one of my best friends and told them he’s been meaning to contact me, but he’s been too busy with work [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em>By: Veraida-Lyn Bermejo</em></strong></p>

<p><strong> </strong></p>

<p><strong>Dear Ate V. ,<br />
 </strong> <strong>My boyfriend and I broke up 7 months ago. Since then, he has made no attempt to contact me. Two weeks ago, he saw my sister and one of my best friends and told them he’s been meaning to contact me, but he’s been too busy with work and his new girlfriend. I’ve been meaning to call him for the longest time, but afraid get really angry and emotional.  But I am standing my ground and not going to call him. What do you think?</strong></p>

<p><strong><br />
 </strong>Yes, you are. If he hurt you and he’s been telling everyone that he’s been meaning to contact you and has not yet done so, then I say keep it that way.  He’s making himself look like a coward to everyone else because he can’t keep to his word.  If you are doing well until now, then you don’t need to hear from him. You are probably looking for closure, but sometimes life works out better without it. Closure is usually an excuse to see each other once last time before officially calling it quits. The person that is asking for closure usually comes out stronger and happier once they’ve regained themselves from the depression. If he respected you enough, he would have made that phone call long before. You have the advantage in this situation and you do not want to lose that.</p>

<p><strong>Dear Ka-Blog,<br />
 </strong><strong>How are two people in a relationship supposed to function freely, my girlfriend’s parents are very strict?</strong></p>

<p><strong><br />
 </strong>The most important thing to do in this situation is to try and gain the trust of your girlfriend’s parents. The last thing they want is to discover that their daughter is sneaking around behind their backs. Don’t hide the relationship but also don’t flaunt it. In some cultures, public display of affection is not accepted. Respect boundaries and culture difference if you want them to respect you as well.<br />
 To gain their trust, be more present and not shy away. Invite each other to family parties or hang out together with groups of friends. Parents feel more comfortable when they know their daughter is not alone with her boyfriend. They want to keep their kids under a watchful eye.  Parents are also afraid of the relationship causing a distraction, especially from school. It’s only natural for parents to be protective of their kids. Do not expect to gain their trust overnight.  It will certainly take time until her parents can be more comfortable and assured that their daughter is in good hands.<br />
 Your girlfriend can also be open about you to her parents – talk about your special attributes, goals in life or why she likes you. That way, her parents can know you a little better and see that you are not a bad guy.<br />
 If all the above fails, ask a family member of close friend to talk to her parents and give them a different perspective on the situation.  This may help her relieve the situation knowing that their daughter is growing up and that dating is an inevitable part of life</p>

<p><br class="spacer_" /></p>]]></content:encoded>
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